Happy 75th Birthday: John Lennon October 9, 2015 11:54

Interview: Eli Winderman of Dopapod October 9, 2015 11:02

Dopapod was born Boston, while attending Berklee College of Music.  What led to the formation of the band?  When did you guys start to realize this would become much more than a college band?

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Eli:  The band started basically as a vehicle to play house parties and other random gigs we could get together.  We used to play basement house parties and renegade festival sets all the time.  As well as all over New England.  We did that for about a year or two until one day I got a call from our first booking agent.  Once that happened, we began touring pretty heavily and haven’t really slowed down too much until now.  We’ve had breaks here and there, but for the most part we’ve been touring pretty heavily for 4 or 5 years now.

 

The sound of Dopapod is truly unique, from your unique sound/creativity on the Moog, to Rob's heavy but funky style of guitar playing.  Who were some of your biggest influences that helped shape your style of play?

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Eli:  I suppose I should just speak for myself here, but my original keyboard influences were John Medeski, Herbie Hancock, Rick Wakeman (Yes), Neal Evans (Soulive), Bill Evans, and Brad Mehldau.  Basically, when I was 15 I was introduced to a lot of the funk stuff from the 70’s, as well as the new age jam/funk stuff.  It was the first time I realized I could really be a keyboard player.  

 

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Photo by Amanda Sandwicch - CSMPromo

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We're approaching one year since the release of your fourth studio album, Never Odd of Even.  Have you guys had a different approach towards each studio release?    How do you ultimately decide on the tracks and their placement within each album?

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Eli:  It feels like more than a year to be honest.  Each album has a bit of its own approach because our tastes are constantly changing and our abilities are becoming more mature.  Every time you make a record you learn a lot about the process as well as yourself.  We usually write constantly, and try to get songs going in the live rotation so they can get some road time.  We’ve found that songs develop over time and eventually we have enough songs for a new record so we can begin the process.  This time around, we have a lot of music stored up that we haven’t played live.  We’re starting off next year with a long writing/rehearsal time and aiming to come back in 2016 with a lot of new music.

 

I'm always interested to hear how the songwriting process works within the bands I follow.  How is the songwriting balanced within the band?  Can you share an example from a song in the current catalog?

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Eli:  A lot of our music starts with a demo that I make.  I share it with the guys and if they like it then we start learning as the band.  The parts always come to life once we learn them, and everyone throws in their individual ideas for the song.  Then we play it live and figure out what parts are good and what parts need to be changed.  

 

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Dopapod has grown drastically in recent years.  The venues are bigger.  The festival spots are prime.  The van even turned into a bus.  Has the total amount of dates continued to increase?  How does the band balance out the rigorous tour schedule?

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Eli:  The dates have actually gone down a little bit, so we’re able to attempt to balance our lives a bit more than in the past.  We all have our routines to balance out the tour schedule, but it’s definitely not easy.  Lack of sleep is a hell of a drug.

 

You guys are scheduled to headline Creatures of the Night in Adams, TN on Sunday night.  Every band seems to have their own unique way of planning a set.  How do you guys go about the process?

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Eli:  Rob writes most of our set lists, but we usually end up ditching it and calling out tunes live.  Either that, or segues just naturally happen.  That’s always my favorite and one of the coolest parts about this scene of music.  There are no rules and it’s pretty freeing to go into a concert with that mentality.

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Creatures of the Night is one of the many new music festivals to surface in 2015.  The lineup is stacked with many of the jam scenes biggest acts.  While many new festivals surface each year, we seem to lose several as well.  How do you feel that Creatures can solidify itself as a mainstay in the festival circuit?

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Eli:  That’s probably a question that a lot of festival promoters would love to know the answer to.  I think what makes festivals have longevity is the community.  If the festival has a strong and supportive community then you can’t even get rid of that festival.  If you look at festivals like Gathering of the Vibes, High Sierra, and Burning man (kind of a festival?), these are all events that have been going on for 2 almost 3 decades.  It’s more than just a music and art festival.  It’s tradition for thousands of people.  

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Catch Dopapod on Sunday night at 8:15 PM on the Main Stage at Creatures of the Night Music & Arts Festival in Adams, TN.

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Dopapod Tour Dates:

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Oct 09 - Kalamazoo, MI - Bell's Eccentric Cafe
Oct 10 - Indianapolis, IN - The Vogue Theatre*
Oct 11 - Adams, TN - Creatures Of the Night Festival
Oct 13 - Fayetteville, AR - George's Majestic Lounge
Oct 15 - Frisco, CO - Barkley Ballroom
Oct 16 - Aspen, CO - Belly Up
Oct 17 - Denver, CO - Ogden Theatre*#
Oct 18 - Fort Collins, CO - Hodi's Half Note
Oct 21 - Dallas, TX - Trees
Oct 22 - Rockdale, TX - Art Outside
Oct 23 - Houston, TX - Warehouse Live
Oct 24 - New Orleans, LA - Tipitina's
Oct 27 - Jackson, MS - Duling Hall
Oct 28 - Huntsville, AL - VBC Playhouse
Oct 29 - Birmingham, AL - Zydeco
Oct 30 - Live Oak, FL - Hulaween
Nov 12 - Providence, RI - The Spot Underground
Nov 13 - Burlington, VT - Higher Ground
Nov 14 - Woodstock, NY - Bearsville Theater
Nov 18 - Buffalo, NY - Tralf Music Hall
Nov 20 - New York, NY - Irving Plaza
Nov 21 - Philadelphia, PA - Theatre of Living Arts
Dec 02 - Wilmington, NC - Ziggy's
Dec 03 - Athens, GA - Georgia Theatre
Dec 04 - Charleston, SC - The Pourhouse
Dec 05 - Atlanta, GA - Terminal West
Dec 08 - Chattanooga, TN - Revelry Room
Dec 09 - Nashville, TN - Exit In
Dec 10 - Asheville, NC - New Mountain
Dec 11 - Raleigh, NC - Lincoln Theatre
Dec 12 - Vienna, VA - Jammin' Java
Dec 13 - Vienna, VA - Jammin' Java*
Dec 31 - Worcester, MA - The Palladium w/ Turkuaz + Kung Fu (The Ball Drop)
* - No Nth Power
# - w/ Moon Hooch

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Official Website: Dopapod

Facebook: Dopapod

Instagram: Dopapod

Twitter: Dopapod

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Interview: Jesse Miller of Lotus October 7, 2015 15:17

moe. Announces Winter Tour Dates: Colorado & 3 Nights in Atlanta October 6, 2015 20:26

Press Release via moe.org

moe. is headed to Colorado and Atlanta in January 2016! The band will hit Boulder on 1/22, followed by Denver on 1/23. Then on to a 3-night stand in Atlanta 1/28-1/30 at the intimate Terminal West and back-to-back shows at The Tabernacle! Pre-sales for Colorado begin Wednesday, 10/7 at 12pm Eastern. Atlanta 3-night packages also go on sale Wednesday, 10/7at 12pm Eastern. Terminal West tickets will only be available as part of the package, but there will be single-day Tabernacle tickets on sale at a later date. Check the tour page for all the details.

McLovins Discuss New Album, Life After School, Playing with Perpetual Groove October 2, 2015 10:49

It's no secret that we are big fans of McLovins.  We were lucky enough to learn about these guys when they blew up the internet at age 15.  Since that time in 2009, the band has released two EP's and four full length albums, while touring the country and balancing their education simultaneously.  On Monday, October 5th, the band will release their 5th studio album, McLovins. We caught up with the guys last night while they traveled to Columbus, Ohio for tonight's show at Scarlet & Grey Cafe to all of the latest scoop. 

McLovins: Jake Huffman, Jason Ott, Justin Berger, Atticus Kelly

Interview by Jordan Kirkland - Live & Listen

After six years of playing and touring while balancing academics, school is finally out of the way. How excited are you guys to focus strictly on the music?

Justin: It's basically like a whole new life.  We're ready to make this work.  It's everything that we want to do, so all of our focus is being put into touring, the album, the music... everything that involves the live show.

Atticus: Plus we get to hit the markets that we weren't able to hit when people were in school.  For example, a market like Syracuse, that has a big college population that wouldn't be there while we were playing.  So it really opens things up a bit.

Jake:  Definitely.  We're all about this being a marathon and not a sprint.  We're all in this for the long haul.  We have a legit five year plan for this thing, and we're all super excited just to get out and do this.

The new self-titled album drops on Monday, October 5th.  Every new release is big for any band, but this one seems like it could be a real turning point for the band. Tell me about the preparation and recording process this go-round.

Jake:  This time was much different than anything we've every tackled musically.  The way we wrote these songs; the structure and the form of these songs was very calculated.  There are a lot of drafts, versions, and demos that we did.  A lot of the time we would write out the song, then jam it out, listen to it, and critique it.  We'd then go back to the drawing board, and sometimes change the entire song and rebuild from the ground up.  You can definitely tell when you listen to the record that it's a departure from what we've done before.  It's a more mature step into the future for us musically.

Atticus:  It's certainly calculated, but I think we went to great lengths to make sure that it still sounded organic, and didn't sound calculated.  We had a lot of help from our producer, Bill Sherman, who is just about as qualified as they come to do anything musically, so that really helped.  It was also the first time that we really had a true producer on an album.  It used to be, especially in the early days, that we would go in and play live.  We might do a few overdubs and whatnot, but this time we went in and so much of the feedback came from Bill.  Just in that process, we really learned how to take notes from a producer and how to change the music.  Ultimately, I think it made the songs a lot tighter and more easily accessible to people.

Jake:  It's funny, you know?  It's a much different album than the "jam band" that we have created, in the sense that the length of the songs are a lot shorter.  I like to think that we took the part of the jam band that is very versatile and genre standing, and we made a very eclectic album.  All the tracks are very different.  It ranges from like country, to hard rock, to some funk.  I think we did a pretty great job of making it a very well rounded album, but we kept the integrity of the songwriting, which I think is a little bit different than what some jam bands are going for right now.  We're very excited for everyone to hear it.

Next Friday, the band returns to Brooklyn Bowl, one of the country's premier intimate venues. This time things are a little different.  You're supporting Perpetual Groove on their highly anticipated reunion tour. How did this combo come together?

Justin: Well we're lucky that Jake has a nice personal connection with Brock (Butler), and they've shared a good bit of music and lyrics recently.  And then their keyboardist, Matt McDonald, is actually a fan of one of my high school bands, somehow.  I have no idea how that happened.  There's quite a few small connections that helped these shows come together and help this relationship build.

Jake: I used to listen to Perpetual Groove when I first got my driver's license.  I'd blast their music with the windows down.  It's pretty incredible that now we're about to share the stage with them. I feel like it's such a good fit for us to open up for them.  We're all super excited about it.  It's gonna be a crazy night.  We're actually doing two shows with them.  We'll be with them in Denver in December.  These are definitely two of the most anticipated shows in the history of our band.

I'm sure each tour has its theme with certain music that gets played in the van.  Who seems to be in the lead so far on this tour?

Atticus: Normally, I'd say it would be me, but with this most recent run we had a bigger trailer, which opened up some extra room in the van.  So I of course claimed the most comfortable seat, far away from the radio.  So that didn't end up working out.  But speaking of musical themes, we have closed every show on this run so far with
"Ophelia" by The Band, which has been interesting.  We keep getting it more and more correct.  Maybe someday we'll get it perfect.

Jake: As far as music played in the band, I think it's been different everytime we've jumped in there.  Sometimes, it's been a little country.  Sometime's its hip hop.  Sometimes its...Twiddle (laughs).  It has no rhyme or reason. That's for sure.

      Listen to "Talk About It" and "Gold In The World" by McLovins

2016 will clearly be a big year for you guys. First full year out of school, as well as supporting an album which will still be very fresh.  What kind of goals does the band have for the new year?

Jake:  We're definitely going to try and get our show count upwards up 150, maybe 200 shows.  I don't know if we'll actually make that mark, but that's the mindset we have going in.  We're gonna play, play,play.

Atticus: Road warriors status!

Jake:  We're gonna really tour this album out and really get our sound out there.  We're gonna try to go into this with no strings attached and make as big of a splash as possible.  Hopefully, people can feel the ripples in the water.

Jason: Definitely want to get more people out to our shows.  I think we're gonna be focusing on that more.  I don't mean that in a bad way, but we're trying to hit some new markets, take chances.  Ultimately, keep coming to those markets and try to see real growth in 2016.

Atticus: I think that will really start to happen when we push the album and start embracing the sound of the new album, which we're actively doing.  I think that the buzz will buzz itself.

We're exicted to bring McLovins back to Alabama in this Fall.  They'll play the Blueberry Jam Sessions on November 22nd, along with The Revivalists, Earphunk, and Maradeen,  They will also play Funksgiving on November 22nd, along with Robert Randolph & The Family Band and BYOG.

Official Website: McLovins

Facebook: McLovins

Instagram: McLovins

Twitter: McLovins

Papadosio's New Album 'Extras in a Movie' Available Today October 2, 2015 09:23

Jamtronica act Papadosio has officially released their highly anticipated fourth studio album, Extras in a Movie.  The album is available today for download, and can also be purchased on CD and vinyl.  All major online media outlets, i.e. Spotify and iTunes, will also have the new album available

“Never before have we kept so much new material a secret,” the band shares. “Extras In A Movie is as diverse as it is, and at the same time closer to home than ever before.”

The five-piece–Anthony Thogmartin (lead vocal, guitar, production), Mike Healy (drums), Rob McConnell (bass, vocals), Billy Brouse (keys, synth, vocals) and Sam Brouse (keys, guitar, vocals)–seamlessly melds progressive rock with psychedelia;folk with electronica; and dance music with jam. Extras in a Movie features 16 never-before-heard tracks, written, recorded and produced by the band themselves, thanks in large part to their devoted fanbase and a successfully funded Kickstarter campaign.

Grab your copy here:
Download – http://radi.al/Papadosio
CD – http://bit.ly/1LiVSpa
Vinyl – http://bit.ly/1M5tJwm

1. The Last Leaf
2. Out Of Hiding
3. Epiphany
4. Bypass Default
5. 2AM
6. Glimpse Of Light
7. Anima Mundi
8. Open
9. Ritual
10. The Wrong Nostalgia
11. Therian
12. We Can Always Come Back
13. Distant Days
14. Obove
15. Gazing The Great Oscillator
16. Moon Entendre

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The Road to CukoRakko: A Conversation with Mike Sinopole of Festival Expressions October 2, 2015 08:29

AURA Music & Arts Festival Announces 2016 Phase 1 Lineup October 1, 2015 13:33

AURA Music Group and Spirit of the Suwannee Music Park have announced the phase one line-up for the seventh annual AURA Music & Arts Festival taking place March 3 - 5, 2016 at Spirit of the Suwannee Music Park (SOSMP) in Live Oak, Florida. Performing at AURA are live electronica pioneers The Disco Biscuits, Bay area feel-good rock band ALO, high-energy funk quintet The Main Squeeze, The Heavy Pets with a special tribute to the ‘80s featuring Jennifer Hartswick and Natalie Cressman, hybrid tribute fusion masters Pink Talking Fish, nine-piece power funk army Turkuaz, Tom Hamilton’s American Babies, the southern psychedelia of Bright Light Social Hour and many others. Additional headliners and artists will be announced in the coming weeks.

AURA is more than just a music festival. It is a much-loved celebratory weekend of music, art and community attracting fans from around the country. The ever-expanding Yoga & Healing Arts Program will offer more than 20 classes and workshops throughout the week and fans can dance in the Silent Disco into the morning hours. The grounds are also home to one of the most beautiful natural amphitheaters in the US made only more awe-inspiring by AURA’s strong attention to sound and lighting production.

Set in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River, the venue is a playground for endless activities such as swimming, canoeing, kayaking, disc golf and biking. The park also offers guest comforts including a general store, full-service restaurant, free showers, indoor bathrooms and water stations.

Early bird tickets go on sale Monday, October 5th at 10:00am at http://www.auramusicfestival.com!

In case you missed it, check out our two-part recap of the 2015 AURA Music & Arts Festival!

Looking Back on AURA 2015: Part 1

Looking Back on AURA 2015: Part 2

2015 AURA Music & Arts Festival Official Aftermovie

VIDEO: West End Blend's Super Soulful "Tweezer" October 1, 2015 08:13

Happy 51st Birthday: Trey Anastasio September 30, 2015 15:50

Wednesday, September 30th marks the 51st birthday of one of our all-time favorite singers, songwriters, and guitarists: Mr. Ernest Joseph "Trey" Anastasio III.  Born in Fort Worth, Texas in 1964, Trey and his family relocated to Princeton, New Jersey when he was three years old.  Here he attended Princeton Day School, before ultimately graduating from the Taft School, where he would meet future Phish contributor Steve Pollack, aka "The Dude of Life."  Pollack would play a major role in the compositions for songs such as "Run Like an Antelope," "Suzy Greenburg," "Fluffhead," "Dinner and a Movie," and "Slave to the Traffic Light" amongst others.   

Anastasio then enrolled at the University of Vermont, where he would meet future bandmates Mike Gordon, Jon Fishman, and Jeff Holdsworth.  These four played their first official gig at UVM’s Harris-Millis Cafeteria on December 2nd, 1983.  The gig, rumored to be an ROTC dance, was in fact a Christmas formal for Gordon's dorm, which happened to house many ROTC students.  Hockey sticks were used in place of mic stands and the setlist featured covers such as "Proud Mary" and "Long Cool Woman."  While Holdsworth left the band in 1986, his songs "Possum" and "Camel Walk" continued on with the band to become Phish favorites.

While studying at home for a semester, Trey reconnected with two long time friends in Tom Marshall and Marc Daubert.  Marshall would ultimately become Phish's primary lyricist and Trey's long time writing partner, with Marc Daubert serving as the band's original percussionist for a total of five months. During this same year, Page McConnell saw the band perform and joined full time on keys quickly thereafter. Trey would then finish his college career at nearby Goddard College, where his senior study was the now famous composition The Man Who Stepped Into Yesterday.

Since this time period, Anastasio has led Phish where very few bands have gone before.  Touring nationally on a consistent basis by the early 90's, Phish built the strongest grassroots following of devoted fans since the Grateful Dead.  In 1998, Trey introduced his solo band, Eight Foot Fluorescent Tubes, now known as the Trey Anastasio Band.  The band played for the first time at the grand opening of his brother-in-law's Vermont music club, Higher Ground.  Phish’s first hiatus came in late 2000.  During this hiatus, Trey was most notably remembered for teaming up with Les Claypool (Primus) and Stewart Copeland (The Police) in the band known as Oysterhead.  Phish would ultimately reunite for New Year’s Eve at Madison Square Garden in 2002.  

A handful of sporadic tours, as well as the IT Festival, which drew over 60,000 fans, would follow in the era now referred to as 2.0. In 2004, the band shared the stage with rapper Jay-Z and also performed on the marquee of the Ed Sullivan Theatre in New York City.  Trey eventually announced that the band would be breaking up for good after the 2004 Summer Tour, culminating at the Coventry Festival.  During this break-up, Trey and Mike Gordon teamed up with Marco Benevento and Joe Russo for a stretch of shows as a four-piece during the summer of 2006.  He also toured extensively with the Trey Anastasio Band.

Phish would receive a lifetime achievement award at the 2008 Jammy Awards.  After performing three songs at their former tour manager's wedding that year, the band announced a reunion at Hampton Colliseum in March of 2009; marking the beginning of the 3.0 era.  The band would go on to release their 14^th studio album, Joy, later that year.  Since this time, we've seen a healthy, rejuvenated, and inspired musician in Anastasio.  He has gone on to compose a Broadway musical (Hands on a Hard Body) and with Phish released the band's 15th studio album, Fuego. Most recently and most notably, Anastasio filled in for the late Jerry Garcia for the Grateful Dead's "Fare Thee Well" run this summer.  The perseverance and dedication that we have seen from Trey has been nothing short of inspirational.  We can't thank him enough for the countless memories of past as well as those yet to come.  

Join us in wishing Trey Anastasio a Happy 51st Birthday!

Blueberry Jam Sessions: Everything You Need To Know September 30, 2015 11:51

The Road to CukoRakko: A Conversation with Chris Wilhelm of The Doctors and The Lawyers September 30, 2015 00:18

The Doctors and The Lawyer's came to life in Tuscaloosa, Alabama just four years ago.  Did you guys have much experience playing together prior to this band?  How did this thing get rolling?

The Road to CukoRakko: A Conversation with Davis Little of Little Raine Band September 29, 2015 09:52

Funksgiving: Everything You Need To Know September 29, 2015 09:02

What is Funksgiving? 

Funksgiving is where it all began in 2014.  Funksgiving is Live & Listen's inaugural benefit concert in Downtown Montgomery.  In 2015, we are thrilled to welcome Robert Randolph & the Family Band as our headliner, with support from two of our favorite up-and-coming bands, McLovins & BYOG.  This year's event will offer a wide variety of musical talent while crossing into multiple genres, creating the feel of a one-day music festival.  The event will benefit the Parkinson Association of Central Alabama.             

Where will Funksgiving occur?

Look no further than Montgomery's Union Station Train Shed. This National Historic Landmark was once built as a major hub for passenger trains. Six sets of tracks, used by a number of railroad companies, once ran through the Train Shed, which now is completely paved and serves as a parking area for local businesses and the Montgomery Visitors Center. This 600 foot shed sits on a bluff overlooking the Alabama River, and serves as an ideal venue for concerts, festivals and many other special events.  

Click Here: Official Funksgiving Event Preview

What is Parkinson Association of Central Alabama?

The Parkinson Association of Central Alabama (PACA) is a non-profit organization dedicated to improving the lives of patients, caregivers, family, and medical professionals affected by Parkinson’s Disease (PD).

PACA Board Members and Volunteers are patients, friends, family, and caregivers based in Montgomery, Alabama that have all been affected by PD in different ways. This unique blend of perspective and experience provides PACA a strong foundation through which to positively influence the lives of those affected by PD throughout the River Region.

PACA supports a holistic approach to PD treatment that emphasizes progressive clinical and respite care tools and techniques for patients, caregivers, and their families. PACA promotes and advances this holistic approach to treatment through fundraising and awareness campaigns focused on medical research, respite care, counseling, and educational services.

How does PACA benefit from this event?

A percentage of all ticket sales and sponsorships will be donated directly to PACA. We are honored to partner with our 3rd local charity in just one year. In 2014, Live and Listen donated $5200 to the Cystic Fibrosis Foundation via Run Bell Run, and in 2015 Live and Listen donated $5000 to the Cancer Wellness Foundation.

What type of music can I expect?

Robert Randolph & the Family Band 

McLovins

BYOG

How do I purchase tickets?

We are offering a General Admission and VIP ticket package for both events.  General admission tickets are available at $25/each, while VIP packages are available at $60/each.  Links for both packages as listed below.  

Tickets may also be purchased over the phone, 24 hours a day.  The official box office is located at 200 Coosa Street Monday – Friday 8:00 a.m. – 5:00 p.m.

What are the benefits of the VIP ticket package?

VIP area to include: Preferred viewing area near stage, private VIP bar, 5 drink tickets, private VIP bathroom access & food from Chris' Hotdogs. This event is a rain or shine event and tickets are non-refundable.

Click Here: VIP and General Admission Tickets

How will I receive my tickets?

Day of show tickets must be purchased at the box office.  Once tickets have been purchased, you may print them at home, or pick them up at will call.  All tickets purchased at will call will be given to the customer immediately.  Online orders will receive an immediate email with an option to print.  If for any reason you have issues with your tickets, please contact Jacob Kirkland (jacob@liveandlisten.com) for immediate assistance.

Can I bring my kids?

Of course!  Kids ages 12 and under will be admitted for free.  We are excited to bring this new family-friendly environment to the Montgomery area.

Will food and beverage be available?

Yes.  We will have a diverse variety of food vendors inside of the train shed.  Beer and wine will be available at multiple remote bars inside of the train shed for attendees ages 21 years and older.  

How should we prepare for parking?

Live & Listen will not be directly involved with parking for this event.  Standard parking options in Downtown Montgomery will apply.  

Who do I contact regarding a potential business sponsorship?

Can I promote my business as a vendor at the event?

Yes.  Booths/tables can be made available for approved organizations which do not in any way conflict with the mission and vision of Live & Listen.  Please submit all requests to Jordan Kirkland (jordan@liveandlisten.com).  All requests will be reviewed and responded to in a timely fashion.

Can I promote my non-profit or charitable organization at the events?

Yes.  Booths/tables can be made available for approved non-profit groups and other various charitable organizations.  Please submit all requests to Jordan Kirkland (jordan@liveandlisten.com).  All requests will be reviewed and responded to in a timely fashion.

Who do I contact for press related inquiries?

Please direct all press related inquiries to Jordan Kirkland of Live & Listen.  All press/media credentials will be considered upon submission.  Submit your requests via email: jordan@liveandlisten.com.  All requests will be reviewed and responded to in a timely fashion.

Album Review: Widespread Panic's "Street Dogs" September 28, 2015 09:22

Written by Preston Barnes - Live & Listen

Photos by Live & Listen - Orange Beach, AL - 05.22.15

The boys are back with their long awaited 12^th studio album, Street Dogs. Recorded in an old church that is Echo Mountain Studios in Asheville, NC, Street Dogs was produced by longtime collaborator and friend of the band, John Keane.  Different from most of their past albums, Street Dogs was largely recorded live and in one room. It sounds like Panic sought refuge from the many takes and lonely glass windowed rooms that generally take place in recording a full-length studio album. Playing in this format, however, probably better suits a band like Widespread Panic, which has always been referred to as a “have to see them live” type outfit, traveling from city to city as its many followers join them from show to show. You will feel a certain raw energy with each tune that is definitely maximized by the live recording format.

The band jumps into a heavy groove right from the get go in their version of the old Alan Price tune, “Sell, Sell.” This song has been a mainstay in Panic’s setlists over the past few years, and the lengthy album version they provide is much like any live version you will hear on tour.  From the quintessential Dave Schools’ bass heavy breakdowns, to Jimmy Herring’s roaring wah wah infused solos, and accentuated by John Bell’s undeniable workingman vocals, “Sell, Sell” is a great starter that really sets the tone for the rest of the album. Following the jam-heavy opening track is one of the more popular new songs from the past few tours, “Steven’s Cat”. Along with its clever title, this tune is a great example of Panic’s ability to write solid rock n’ roll compositions. Bell has said that this song pays respects to many of the band’s favorite artists, most notably, Cat Stevens, who is alluded to in Bell’s lyrics.  The next two songs blend together quite nicely, as the New Orleans inspired “Cease Fire” and its multitude of rhythms courtesy of Duane Trucks and Sunny Ortiz, peacefully flow into the relaxed vibes and textures of “Jamais Vu (The World Has Changed)”. Herring’s guitars beautifully whine throughout Jamais Vu, a song that Bell describes as a nod to the late Garrie Vereen, a long time Widespread Panic crewmember. The song is both lyrically and musically introspective, a signature technique and marking of how this great band creates and approaches music.

After the calm of “Jamais Vu”, Panic ventures into the blues with “Angels Don’t Sing the Blues.” From the basic blues signature of 4/4 and ending with a 3/4 waltz signature, this undulating blues number goes back and forth between various tempos, allowing each member to show of their blues chops. Halfway through the album comes the second cover in Murray McLauchlan's "Honky Red." This rocking number has been played many times over the years, so it was quite a treat for many fans to see it on the new album.  “Honky Red” much like the 8^th track of the album, “Welcome to My World,” provides that growling rock which is emphasized through Bell’s vocals and Herring’s masterful guitar work. “Welcome to My World” is a somewhat surprising song in that it differs musically from the rest of the album and sees Panic venturing off into a 70’s southern rock mold.

“The Positive House of Poor Thinking” is the first JoJo Herman song on the album, as his signature voice and piano playing shine throughout the song.  The album ends on a blues and boogie woogie note with the songs “Taildragger” and “Street Dogs for Breakfast.” The Willie Dixon tune, “Taildragger,” is the third and final cover on the album and man is it a heavy blues tune. If you love some intense yet tasteful guitar playing, then this is the song for you. Finally, the album ends with the title track, which is the second song spearheaded by keymaster, Jojo. “Street Dogs for Breakfast” is your classic JoJo written song, as it is full of the boogie and cheerful as hell. You will want to throw one back listening to this foot tapping number.

All in all, Street Dogs is another solid installment in the already illustrious career of one of America’s most beloved bands. As they near their 30^th anniversary, Widespread Panic continues to show why they are nowhere near stopping and are still at the top of their game. Furthermore, look out for the return of founding member and original drummer, Todd Nance, who is slated to reunite with the band in 2016. It should be another fun year for them, but until then, let’s all enjoy Fall tour and what look to be some legendary NYE shows in Atlanta.

Official Website: Widespread Panic

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The Road to CukoRakko: A Conversation with Freekbass September 28, 2015 08:40

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Our latest segment, "The Road to CukoRakko," consists of a series of interviews leading up to the festival held this weekend at Horse Pens 40 in Steele, AL.  We recently had the opportunity to sit down with the one and only Freekbass for our latest interview.  Freekbass & The Bump Assembly are set to play CukoRakko at 12:30 PM on Sunday, October 4th.  The Bump Assembly consists of Big Bamn on drums and Jason Burgard on saxophone.  Freebass recently signed with Ropeadope Records, and is scheduled to a release his new album, Cincinnati, on Friday, November 20th.

Click Here: Purchase Tickets to CukoRakko Music & Arts Festival

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You've been at this thing for roughly 20 years now.  When did you first begin playing music, and what are a few of your first memories of playing on stage?

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FB:  Yeah, I started playing live when I was about 14 with a lot of the places being before I was legally allowed to be there if I wasn't in "the band". I read where Keith Richards said that the stage is the place that most feels at home, and I definitely feel that way. I couldn't tell you what I ate for lunch but I think I can remember almost every stage experience since I started. It's a unique place to grow up. Probably one of my earliest stage memories is when we played the 8th Grade talent show. Everyday in the lunchroom there was this big, pretty intimidating looking cat that would always call me names and threaten to beat me up. At the talent show I played guitar and we played "The Jack" by AC/DC. That next day the same dude who acted like he was going to pulverize me, acted like he was my best friend with a huge smile on his face full of positive energy. That was one of the first times I realized the power in music. 

Who were some of your earliest musical inspirations?  Can you point to anyone specifically who drove you towards being a full time musician?

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FB:  I worked at a music store the summer going into high school to pay off a bass I wanted.There were always older musicians who were gigging for a living coming into the store talking about the lifestyle, touring, and recording. They would compare stories with each other about where they had been, what gear they liked, crazy road stories , etc. It was fascinating to a kid just starting to play. Then a lot of times they would sit down and play and let me play with them. That is how I learned how to thump and pluck on the bass. One person from an r&b/funk group would come into the store and start thumping on the bass Louis Johnson style. It sounded magical, so I asked him if he could show me how to do that on the bass. About once a week he would stop in the store and have me mimic back and forth what he was doing and little by little I would "get it". 

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I've read that the legendary Bootsy Collins can be thanked for giving you the name "Freekbass." You've been fortunate enough to collaborate with Bootsy a number of times over the years.  How did that all come together?

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FB:  Bootsy's singer from the original Rubberband, and a member of George Clinton's Parliament-Funkadelic, Gary "Mudbone" Cooper, had heard about me around Cincy and asked me to play bass on some of his demos. One day he called and said he was working on a track for a new compilation album for P-Vine Records (funk label out of Japan) which were songs written about Jimi Hendrix. A different funk collaboration would do each track. Muddy was doing a track with Kidd Funkadelic/ Michael Hampton and asked me if I would like to play bass on the track. I said of course and asked him where we would be recording it. He said Bootsy's, and Boot would be producing and engineering the track.

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As you can imagine I was pretty excited. We went to Bootsy's studio and he and I hit it off great, and a couple of weeks later he asked me back out to the studio to write some songs and record together. Definitely a huge turning point in my career. That is when he gave me the name 'Freekbass' too. He had a bunch of bass effects at his studio and I always used a lot of my own too and he would always say "do that Freekie thing with your bass" and folks around the studio picked up on it and everyone started calling me "Freek" or Freekbass and it stuck. 

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One of your first groups, Sleep Theatre, was signed to a major deal just as you guys were officially parting ways?  How did that experience affect you as a young musician?  

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FB:  Wow, you are going back right after high school days. Right when we got that deal (which was a big indy label distributed by a major) was right when SHAG (the funk band I toured with right before I started the Freekbass band ) was starting. So for a while I tried doing both bands. But SHAG started touring so much it became really difficult to do both things and I didn't think it was fair to the ST band to suffer or take a back seat to what I was doing. So I made the decision to move on with SHAG. It was tough to do because I had been playing and writing with those guys since early high school days, but it felt like the right move. 

The Road to CukoRakko: A Conversation With Col. Bruce Hampton September 25, 2015 09:19

Interview and Photos by Jordan Kirkland: Live & Listen

Earlier this week, we had a chance to sit down with the godfather of jam rock, Col. Bruce Hampton. Born as Gustav Valentine Bergland III in Oak Ridge, Tennessee, on April 30, 1947, Bruce was given the nickname “colonel” at a young age.  The colonel’s music knows no boundaries, which falls in line with his quirky, intelligent, zen-like personality.  We are excited to work with our friends at CukoRakko Music & Arts Festival, held at Horse Pens 40 in Steele, Alabama next weekend (Oct 2^nd – October 4^th).  Hampton’s latest project, The Madrid Express, is set to play CukoRakko w/ special guest Carter Herring at 4:00 PM on Sunday, October 4th.

Click Here: Purchase Tickets to CukoRakko Music & Arts Festival

You've been at it in this music scene since the 60's, dating back to the days with the Hampton Grease Band.  What are some of your earliest memories from learning to play the guitar?  Can you share any good stories from some of your earliest gigs?

Col. Bruce:  Well I think it was either the 2nd or 3rd gig, we were playing a frat party at the University of Georgia.  I certainly had no idea what I was doing.  I was 16-years-old. I wanted to go learn and see what the world was like and learn everything about it.  We opened at about 4:00 PM.  There were about five bands that night.  The headliner came on at about 9:00 PM and his name was Otis Redding, and I said "Oh, that’s how it's done."  I got to see just about everybody I wanted to see growing up.  I was very, very, very lucky.  I mean, I got to see the blues masters, Bukka White, Son House, Freddie King, Albert King, Miles (Davis) back in the 60's, and just about everybody I wanted to see.  I was very lucky.  And certainly every Rock act; just about everybody.  

I was really fortunate.  And I feel so sorry for your generation. You guys just don't get to see the quality that was there at one time.  The tonality, the intent, and the desperation of urgency...you know, it was just another world back then.  People played music for the cause.  You had to do it, you know?  It's not something you chose you do.  You had to.  I say that's my number one thing of intent: you either play for the cause, or you don't.  Either money comes your way, or it doesn't, or fame or whatever you think will make you happy.  But you continue doing it.  I don't know what the cause is, but I know you should play for it.

Just like you're doing...you're playing for the cause.  You're intent isn't to be famous or rich, but if it comes your way...great.  You're doing it, and I'm telling you man...the world needs music, and it's in a poor spot right now.  It's the worst that I've ever seen it.  It's almost like a soft drink commercial. There's still great stuff out there, but it's a little scary, you know?  Especially country music, where there was such soulfulness from about 1955 to 1975.  Now it just sounds like 80's Vegas Rock, you know?  It's a shame.  And I love the real country music, but it's all the same to me.  It's either pure or it's not.  The great music of the 50's and 60's...it holds up with Muddy Watters, B.B. King, Howlin' Wolf, jazz, or whatever.  It's all the same, as long as it's from the heart and pure.  

Photo by Live & Listen

Who were some of your earliest musical inspirations?  Can you point to anyone in particular who truly drove you towards being a full time musician?

Col. Bruce: Oh my god...I could go for 300 pages.  When I was about 9-years-old, I told people I wanted to be Little Richard, and I failed miserably.  I still think he is the greatest rock-and-roll singer that ever lived.  Just hearing that great music of Chuck Berry, Fats Domino, Jerry Lee Lewis...I mean rock-and-roll, begat the 50's, you know the 50's were about the most boring decade there ever was. Everything was just boring, and then all of the sudden, that music, rock-and-roll, was like an atomic bomb. It sort of changed the world; the way people thought and everything.  

I like all of the real blues guys: Fred McDonald, Son House, Bukka White, and on and on and on.  The electric blue guys, all of the Kings: Albert, Freddie, and B.B.  Two or three hundred jazz guys, from Count Casie to 'Trane (John Coltrane) to Monk (Thelonious Monk) to Miles (Davis), on and on and on.  And classical...Stravinsky and a composer named Krzysztof Penderecki.  Those are my two favorites in that field.  I like Latin too.  I like it all...as long as it's pure...and doesn't have much cheese in it.  That’s my enemy, cheese.

I'm sure you've answered this a million times, but I've always wanted to ask.  What's the real story behind you becoming "The Colonel?"

Col Bruce: (laughs) I've never been asked that!  Sixteen times an hour!  There's a nine hour version and then there's a 47 hour version.  Let me say real quickly.  That is my real name.  I am a real Colonel. I'm not a part of any military anymore, and I want to spell it "k-e-r-n-e-l."  But I went to military school and I become a colonel.   But I came from a long line of military officers, and I was the first male child not to follow in their footsteps to West Point.  My grandfather and uncle starting calling me "Colonel" at a young age.  It's a personal and professional nickname, like "Duke Ellingston" or Sargeant Slaughter."  The entire story is too long to explain; therefore it's basically a moniker.  Let me say that and I'll avoid trouble.  I did do some stuff, you know.  And I want to spell it "k-e-r-n-e-l."

Photo by Live & Listen

We can certainly try to help you get the word out on that.

Col. Bruce: (laughs) It's just funny.  I get asked that a lot.  That and, "Where did Aquarium Rescue Unit come from?"  Those two questions seem to be leading the way.  I'll answer the Aquarium Rescue Unit question too.  It was a job I had; to rescue aquariums in the middle of the night.  I was a young man. They would break, and we would go rescue them.  It was very hard and very nerve-racking.  We'd have a ten foot aquarium, and they were cracking.  We'd repair them.  I'm glad I did it while I was young!

You were a key figure in the formation of the H.O.R.D.E tours during the early 90s.  How did you become involved and what stands out the most when looking back on that experience?

Col. Bruce: It was in the early 90's, and we were touring up North a lot with Phish and Blues Traveler.  No one was really drawing anybody, and they came up to me and said, "You're the old guy.  What was it like in the 60's?"  And I said, "Well, we all got together and did big group gigs, because they would draw 1,000 people, instead of 100."  And Phish really was starting to have a great thing, along with John Popper, John Bell.  I was certainly not a major player, by any such.  It just sort of took on a life of itself.  We tried out the whole deal and only charged $10 a ticket.  

We had Dave Matthews Band, Phish, Widespread...I can't even remember everybody.  By the end of it, I bet we had over 150 people that played it.  We tried to put it back together again, but its impossible now for many reasons.  It was amazing.  You got to see six bands for 10 bucks.  Nobody really knew who anybody was.  I guess Dave Matthews was the first to really become known, in probably 1993 or so.  You could go see all six of those bands for 10 bucks. That was hard to beat.  And it was sort of new generation coming then, you know?  

We tried to do like the old Motown tours.  Back in the day, they'd have eight acts in four hours.  Stevie Wonder would to 20 minutes, Marvin Gaye would do 20 minutes, and it was amazing.  But that was sort of what it was based on.  There were things called "revue," like the James Brown Revue.  He'd have six opening acts.  They would come out and play four tunes.  Those things just aren't there anymore.  Sometimes, you have an opening act.  The great thing about those things was that everybody was a quality group, you know? The opening act would be Albert King or somebody of that nature, just incredible quality.  I'd love to see that again.  It's hard to find quality in anything. 

I hate that I missed out on the H.O.R.D.E. tours.  Being 28-years-old, I was just a little too young to be a part of that era. 

Col. Bruce: Right...yeah you were 8-years-old.  No, you were three!  Good god, was that 25 years ago or what?  Jesus Christ!  That hurts.  Damn I'm old!  You've just made me feel 300-years-old.  No, I'm glad to be here.  It's better than the alternative...that's for sure.

You're fresh off of the big Aquarium Rescue Reunion Tour, which brought about 14 shows for the band, spanning from Denver down to Alabama and Georgia and up to Brooklyn.  How did this tour ultimately come together, and do you see it as something that could happen more often when the schedules allow?

Col. Bruce: I think we're going to try to do it again next summer.  There is talk about teaming up with John McLaughlin and doing a co-bill.  Our manager, Souvik Dutta, really put it all together.  He has a lot of great musicians in his fold.  He's a manager for many.  I give him most of the credit.  What's funny is that I thought that was a pretty hard tour, and then that day I went to Mobile, Alabama for 5 weeks in 100 degree weather and filmed a movie for 16 hours a day, which is just insane. Thankfully, my friend William Barnes saved my life down there!  So, I finally got home. I'm starting to get a little rest.  It was a really great, busy summer.  I think I left on June 29th and got home a week ago.  

Any details you can share on the movie?

Col. Bruce: Yeah, it's called Here Comes Rusty, and I think it'll be out in April on 2016.  I think there is a trailer out on it now.  I play a drunken, volatile dog track owner.  We've got some great people in the cast, like Fred Willard, who's probably my favorite actor of all time.  Mrs. Jolie Adams, who was in Chasing Amy...she's unbelievable.  Also, a guy named Pauly Litt, who was huge about 15-years-ago.  He was with Regis and Cathy Lee and was on her show.  He's making a comeback.  He's 20-years-old, and he's making a comeback.  It looks good man, but you can't ever tell by the edits.  We've got our fingers crossed, you know? I can't wait to see it.  It's either gonna be really good, or it' gonna be good.  

 Watch the official trailer for 'Here Comes Rusty' here:

I've heard a lot about ARU's "freestyle" approach to each live show.  How much true rehearsing goes on behind the scenes?  Does each set list evolve as the show progresses?

Col. Bruce: Wow!  We had our first rehearsal ever, in 30 years, about four months ago.  We had never had one.  Right before we went on, we just ran through all of the tunes, because everybody had forgotten them.  So that was our first rehearsal ever, dating back to 1988. The setlist...I can't even remember man.  It was such a whirl wind.  Then I went right to the movie in Mobile, and my brain is just fried.  I can't remember a thing from the whole tour.  We were moving so fast, and we weren't an active group, so everything is new every day, you know?  Everything logistically...you don't really know what to do.  So is this going to work...not musically...but from point a to point b?  The logistics of it all.  It sure was fun, and it was pretty hard on everybody, I think.  Especially, Jeff...he plays drums like he's possessed, and he's over 50.  I know he and I were probably the two that hurt the most.  We're in the "formula grey club." Is that called Grecian Formula or something?  Yeah, yeah I think it is.

You have been a major influence on the band Widespread Panic.  I know it's been special to watch those guys evolve as musicians and as a collective band.  You're now seeing Jimmy Herring's son, Carter, come into his own, often next to you on stage.  How special has that experience been?

Col. Bruce:  I've known Carter since he was a kid, and he's playing with us for the next month. He's doing Birmingham, and he's doing CukoRakko next weekend too.  I don't know many guitar players that are better than Carter.  He's only 20-years-old, and he's unbelievable.  Seriously...he's as good as anybody, man.  He is really somethin'.  And I really like his playing. But yeah, now the grandkids are coming soon (laughs).  I knew Duane Trucks since he was one year old.  We used to have him play with us on stage when he was four years old.  So it's really amazing man.  Carter, especially, such a nice fella, and so is Duane.  Carter's gonna be the salt of the earth pretty soon.  He already is.  He can play...that's for sure.

Photo by Live & Listen

It's amazing to see the collective family that seems to have started with the Allman Brothers and now seems to revolve around Widespread Panic.

Col. Bruce: They're as good of people as there are, man.  I would not be working the last twenty years if it wasn't for them.  I wouldn't have been working.  They have been dear friends since '82.  Great organization of folks, man.  Hopefully they keep going.  It's unbelievable what they have done for everybody.  And they do nothing but great things for the community.  They donate instruments to the children of Georgia.  They do benefits all of the time.  They really aren't recognized for it.  They do so many positive things, and they're just great people. 

Your latest project, The Madrid Express, is set to headline CukoRakko Music & Arts Festival at Horse Pens 40 in Alabama next weekend.  How do you feel this group differs from your past projects?  What would you tell those who haven't seen the Madrid Express to expect?

Col. Bruce:  I'll let you answer (laughs).  I really don't know if we are much different.  Like I say, we keep an open channel, as long it's pure.  Pure American music...pure from the heart.  That's all I care about.  I don't think we're any different.  Just different players playing the same thing. I'd like to get it down to one song and just do it for two or three days, which is impossible, whether it be "20,000 Bottles of Beer on the Wall," or "Old Wisconsin" or whatever.  Just take it everywhere it could possibly go, but you'd have to really be listening.  We'll have two great guitarists with us, Jacob Deaton and Carter Herring.  We'll have our drummer, Darren Stanley, and our great bass player named Billy Thornton, who we call Billy V. Thornton instead of Billy Bob Thornton.  They've gotta be related somehow.  

Jacob Deaton of The Madrid Express

Photo by Live & Listen

I'd feel crazy if I didn't ask you about your cameo appearance with Vic Chestnut in the movie Sling Blade. Can you tell me how that came to be?  Any good stories from behind the scenes with Billy Bob?

Col. Bruce:  Oh, a millon stories…that I shouldn’t tell.  Nah man, that cat is like China; every 50 miles there’s a different thing going on.  To me, he’s one of the greatest actors/writers of all time.  He’s probably got 20 scripts that need to be out in the world, and certainly Hollywood won’t let him.  He’s as talented as they get.  The thing with Sling Blade, we were doing it, and it was his first movie he’d ever done, so his life was on the line, you know.  I mean, there was a lot of pressure on it, so he had to do pretty good.  He constantly went around the the janitors, the actors, the cooks, everybody…and made sure everybody was comfortable.  You never see that on a movie set.  It’s usually more like a spring football drill at the University of Alabama. 

He wasn’t ever thinking of himself, and I don’t think I’ve ever seen anything quite like it.  It was such a gas to work with him.  He said that he wrote it for me, that it was written in my language.  Also, behind the scenes, Vic (Chestnut) was supposed to have a balsa wood door, but it was still oak, and he cut his head!  He was laughing about it.  He was supposed to go right through the door, and they never replaced it. So everybody was laughing about it, even Vic, but (John) Ritter got mad.  He got really mad.  Vic was ok.  He said he wasn’t hurt, but it was supposed to be balsa wood, and he was supposed to come out the other side.  And there were at least 30 other amazing things that happened behind the scenes during that movie.  I do not think we even did three takes on anything.  It just flew, you know?  Two takes at most, and Robert Duvall said that that room was about 105 degrees when he was saying he was his father.  That’s just one of the greatest scenes in cinematic history, I think.  That was just amazing. 

The cast was just unbelievable.  Dwight (Yoakam) was always unbelievable.  Ritter was great, and Billy Bob…my god, that was fantastic.  So I had a blast and certainly thanked him for having me in the film.  He had come in ’85 to write the Otis Redding story.  Phil Walden, the president of Capricorn, was his manager, and he was also my manager.  There’s so much to tell about Billy Bob, but I can’t say it in print!  He is the king of mythocracy. 

I've heard you're a huge baseball fan.  I know you're also an Atlanta resident.  It's been one hell of a tough year for the Braves.   What's your take on the current state of the team? 

Col. Bruce:  Well, I think it’s actually been great, if we look at the whole without the fragment.  What they’re doing is getting ready for 2017, when they move into the new stadium, which I still think is the dumbest thing since Hitler invaded Russia in the winter.  Everybody in this town in furious, man.  Why you would put the stadium in the most traffic ridden neighborhood that there is?  And there is no parking, no public transportation so to speak of.  It just makes no sense at all.  None…it makes no sense.  What a waste.  Turner Field is still brand new in my mind.  I just don’t get it.  I say tear down the stadium in two years and just build another one.  Let’s build a stadium every two years!   It’s the same thing with the Falcons’ stadium.  I mean, it was a white elephant, but my god…a billion and a half dollars?  I could live with that.  People are insane!  But with the organization, there’s just no reason to carry that salary around when you’re playing .500 ball.  So they’re getting ready for 2017.  I think they’ll do well.  They’ve got the minor league built back up and some really good young pitchers coming up.

I go to one game a year.  I’m always gone during the summer, so I tend to get to one game each year.  I used to go to thirty, but I’d rather watch on TV.  It’s such a hassle.  It’s a long walk  and usually really hot.  I’d rather go to a Montgomery Biscuits game.  I really like that place.  I love minor league games, and I’d rather go to them.   I’ve been to a lot: Asheville Tourists, Chattanooga Lookouts, Nashville Sounds.  Those games are just great to go to. 

Who’s your pick for the World Series?

Col. Bruce: Toronto against either the Cubs or the Mets.  That’s what I think it’ll be.  I’ve had a feeling since probably May that the Cubs are just gonna miraculously do it.  It makes no sense, but I picked them back in May.  They’re young, and they’re on 10 right now.  So they’re doing it.  I spent an afternoon at Wrigley back in July when they played the Miami Marlins when the Grateful Dead was playing.  They really ran that whole thing so well.  It went off with no hitch.  It was amazing.  And now they’re playing again in October!  Oteil (Burbridge) is even in the band now.  That’s hilarious.  He went from the Aquarium Rescue Unit to the Grateful Dead.  I’m really happy for him. 

That was a truly an amazing weekend.   I grew up listening to The Dead, and I’m also a big Phish fan, so getting to see Trey step into that role was really special.  I’m convinced that there is not a more opinionated group of people in the world than the Dead fans.  I feel like he silenced the critics.  

Col. Bruce: They’re horrible man!  They’re like the jazz police.  Enjoy it.  Fuck it.  Let it go.  It is what it is.  They’re like the police man.  Trey did such a great job.  I congratulate him.  He did a really great job.  I mean, the Grateful Dead and Phish is not my cup of tea, but they nail what they nail.  I respect the hell out of them, and they’re great at what they do.  Trey got up there and he wailed ass.  I’m just too old.  I was from another world.  All of my music is from 1937 to 1957. 

Interview: The Orange Constant September 23, 2015 11:32

We recently caught up with Lee Guentert (drums) and Nickolaus Benson (guitar/vocals) of The Orange Constant, one of Athens, Georgia's most exciting young bands.  Check out our latest interview and listen to a few of the band's original tunes while you're at it!

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The Orange Constant came to life in September of 2012 at Georgia Southern University, playing various house parties around Statesboro, GA.  How did the band come together, and what stands out the most when looking back over the past three years?

Lee: The band came together through Andrew and Nick meeting in a music theory class at Georgia Southern. They started to jam and write outside of class with Nick's roommate Kyle. Lee met Kyle soon after and we all started hashing out original songs immediately in the basement of Andrew's town-home. Many things stand out from our beginning, but we distinctly remember that it was a struggle for us to come up with a band name. We eventually came up with The Orange Constant after noticing that our rehearsal space glowed orange at practice every day as a result of sunlight passing through an egg crate held over the window.

You guys have since relocated to Athens, GA, one of the South's biggest hotbeds for original live music. How big of an impact has this move had on the band?

Nick: By the time we had moved to Athens, we had already been living together for a year, except that in the old house Andrew slept in the dining room. Everyone having their own space has helped us relax a little more. Statesboro is a fantastic town for anyone starting a band because there is not much competition and interest in live music is starting to take off. Moving to Athens has reminded us that there is always room to improve, so we are practicing now more than ever. 

Who have been some of your biggest influences over the years? Are there any particular musicians/bands who you find the band being compared to by listeners?  How do you guys classify your sound?

Lee: Collectively , we draw influence from just about every genre of music, but each member has their own preferences. Some of our favorite artists are The Beatles, My Morning Jacket, The Allman Brothers, and Frank Zappa.  We are often compared to Red Hot Chili Peppers, Phish, and Incubus, but we have heard just about every comparison under the sun. For lack of a better description, we classify ourselves as Alternative Jam Rock.

What has been your approach when writing new songs? Do you typically start with the chords or thelyrics?  How has the songwriting process worked within the band?

Nick: As a band, we don't really have a set formula for song writing. Typically our songs come from a seed. Every member contributes seeds at different times. A seed could be a guitar riff, couple of chords, bass groove, drum beat…etc. Once the seed has been planted, the other members come in and add water, some sunlight, and the occasional MiracleGro. If all goes well, we have a complete uniformed idea/song. Although democratic group writing is a common method, some songs are written primarily by one or two members. In those cases the other members try to enhance the preexisting vision. The primary lyric writers are Nick and Andrew, but every member has written lyrics to at least one song.

You recorded your first full length album, Time to Go, with Grammy-nominated producer John Keane (Widespread Panic, REM) earlier this year.  Tell me about how you guys got hooked up with Keane, and what that experience was like as a young band.

Lee: When we were researching studios he immediately came to mind as the best option, but due to his busy schedule we were not hopeful. We had attempted to contact him for months when one day we check our inbox to see a a message from John Keane. It turns out he was available the week we needed to record so it all worked out. Working with John was an incredible experience. He is a very patient and focused individual. He will speak his mind openly but will do it without offending anyone. He also has a gift at bringing out the best of each member and translating that into a lively and clear recording. If possible, we definitely would like to record with him again!

The Orange Constant has quickly broken out of the Statesboro and Athens scene and made its way into the Southeastern circuit.  Not many people understand how much goes into the business side of a band, much less a new band.  How has that worked for you guys thus far?

Lee: So far managing ourselves has worked out well. Up until recently we did all of the booking ourselves, but have since joined forces with William Bridwell of Airbound Entertainment. Adding him to our team has allowed us to contribute more time and energy into the music. Overall, we are comfortable developing in a grassroots sort of way, but we are also open to joining a record label or management agency if the right opportunity presents itself.

How is the rest of 2015 shaping up for the band.  What has you guys most excited?  Have any major goals/plans for 2016 been laid out yet?

Nick: 2015 has been great for us so far. The move to Athens was definitely a big step for us as well as our recent van purchase. As for the future, we have a show coming up at the Georgia Theatre where we're playing on the rooftop after Umphrey's McGee. This is exciting news because they are a huge influence on us as a band and it presents the opportunity to play to a crowd of new listeners. If all goes according to plan, we would like to release a new album out in 2016. That is one of the biggest goals for the year to come. After that, we just want to keep improving and building a fan base all over the Southeast.

Official Website: The Orange Constant

Facebook: The Orange Constant

Instagram: The Orange Constant

Twitter: The Orange Constant

Looking Back on Catskill Chill Music Festival: Night 2 September 23, 2015 10:30

Chuck Garvey and Rob Derhak of moe.

Photo by Paul Citone Photography

One of the year's most anticipated music festivals, Catskill Chill, occurred this past weekend for one last go-round at Camp Minglewood in Hancock, NY.  Due to circumstances out of their control. the sixth-annual festival served as "A Farewell to Minglewood," as they will be forced to find a new home in 2016. The festival will continue next year, and several amazing prospective locations have already been placed in the mix.  The year's lineup featured the likes of moe., Lotus, Zappa Plays Zappa, Lettuce, Electron,The Motet, Dopapod, Kung Fu, Twiddle, Turkuaz, The Werks, Particle, George Porter Jr. & Runnin' Pardners, and many many more.  Below you will find a collection of our favorite moments from the weekend, with photos and setlists courtesy of our friends at Brotherly Love Productions.  

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Photo by Patrick Hughes Photography

Turkuaz

Photo by Patrick Hughes Photography

Kung Fu

Photo by Patrick Hughes Photography

Tim Palmieri of Kung Fu

Photo by Chad Anderson Photography

Photo by Chad Anderson Photography

Hayley Jane & The Primates

Photo by Chad Anderson Photography

Hayley Jane & The Primates

Photo by Chad Anderson Photography

Twiddle

Photo by Chad Anderson Photography

Mihali Savoulidis of Twiddle

Photo by Chad Anderson Photography

moe. feat. Diggy Lessard on guitar

Photo by Chad Anderson Photography

Al Schnier of moe.

Photo by Paul Citone Photography

Jim Laughlin of moe.

Photo by Paul Citone Photography

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Setlist: moe.

Seat Of My Pants > Recreational Chemistry, Billy Goat > Bearsong, Happy Hour Hero*^, Dr. Graffenberg*, Spine Of A Dog > Buster

{* w/ Mike Wilbur & Wenzl McGowen on horns
^ w/ Diggy Lessard on guitar}

Setlist: Kung Fu

Umphrey's McGee Introduces New "Reel To Real" Benefit Concept September 22, 2015 21:49

Press Release via Umphrey's McGee

Umphrey’s McGee cordially invites you to join them for the debut of Reel To Real on the inaugural evening of 2016. This one-of-a-kind benefit kicks off with a hair of the dog happy hour with Team UM. After libations & sustenance, you’ll take your seats for the premiere of a Nothing Too Fancy Music retrospective. Comprised of unseen footage from the camcorder archives, join UM as they take you on a visual journey into the early touring years of the band.

Upon conclusion of the ‘Reel', they'll pivot to the ‘Real’ and journey into the songs that have accompanied them through the years. The format will be a set of original music, with commentary on the history and circumstances surrounding the writing, recording and evolution of a slew of UM tunes.

In addition to the film and performance, the night will feature an open bar, theatre treats, raffle, and more. Partnering with good people of Conscious Alliance, Umphrey's will be raising money to feed those most in need, all while sending you home with a limited edition UM+CA event poster.

Reel to Real tickets go on sale Thursday, October 1st at Noon MT.

Press Release via Umphrey's McGee

Photo by Live & Listen: Avondale Brewery - 09.10.15

The Blueberry Jam Sessions: Presented By LuLu's and 92 Zew September 22, 2015 15:18

We are pleased to announce our Presenting Sponsors for the Blueberry Jam Sessions on Sunday, October 18th and Sunday, November 22nd: LuLu's and 92 Zew.   Our ability to continue to book these events would not be possible without our local business sponsors.  We cannot stress the importance of local business support enough, and we couldn't be more excited to partner with two of Lower Alabama's most beloved organzations.

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Click Here: Purchase Tickets Today

 Click Here: Blueberry Jam Sessoins - FAQs

Click Here: Blueberry Jam Sessions - 10/18 Preview

Click Here: Blueberry Jam Sessions - 11/22 Preview

About Lucy Buffett's LuLu's

Once upon a time, a Gulf Coast darling, born and raised in one L.A. (Lower Alabama) found herself living in another L.A. (Los Angeles, California). Lucy Buffett had just about enough of the plastic pace of Hollywood and yearned for the sweet comfort of home and a way of life that is more about living life than "lifestyle." As she reached her 40's, the memories of a childhood scented by magnolias in the spring, crab boils in the summer, tire swings, and the glories of Mobile Bay, were calling her back home.

With many failures in her back pocket, but many triumphs in her heart, "LuLu" packed her bags and her cats, Jazz and Whisper, and headed south to parts "known"-- back to the place where her roots had grown.

Anyone who knows LuLu, knows she can COOK! They know she loves life, and not unlike her brother Jimmy, she is a passionate host and entertainer. She found a little dream harbor, and moved into a beautiful spot on Weeks Bay, Alabama, where the original LuLu's Sunset Grill was born. It was a place that Fish River locals quickly called their own …a place "Where life is good and lunch lasts forever."

The first LuLu's was little more than a bait shop, an outdoor burger joint and bar, situated on the edge of a nationally protected bird estuary, in very the same spot Lucy's father used to take her and her sister and brother fishing as children.

"When I first opened LuLu's Sunset Grill, I thought…hey, a little place on the water to get a cold beer and a good burger, just like my daddy would have loved. How hard could it be? After working for some of the meanest folks in Hollywood, I thought this would be a piece of cake, right? Wrong! It's one of the toughest things I've ever done. The restaurant biz is not for the faint of heart."

LuLu's Sunset Grill enjoyed 5 precious and fun-filled years, and countless perfect sunsets on the northern edge of Week's Bay where Fish and Magnolia rivers meet.

In 2003, when the Alabama state government decided not to renew Lucy's lease on Week's Bay, a new home was found for LuLu's on the Intracoastal Waterway in Gulf Shores, Alabama. It was a bittersweet move, but like any Buffett faced with a difficult decision, she decided to throw a party and move forward. She enlisted the help of a buddy with a barge and, literally, moved the ENTIRE establishment to its new locale by water

So, on a sunny and surreal day in the fall of 2003, friends, family, and the local community that loved LuLu's so much, literally loaded all of LuLu's that wasn't nailed down, including the infamous "boat stage," JD Buffett's one-ton custom barbeque grill, and a few mature palm trees (to be replanted at the new site) onto a 150 foot barge and tug-boat. They headed south through Week's Bay, dancing to the live, on-board, musical accompaniment of the Leavin' Brother's Band, and a few free-flowin' margarita machines!

Lucy was quoted as saying, "Why be normal, why do things the 'right' way? I keep this place and my dreams going by riding out the storms and adjusting to the tides. It's a special place, and I know I can do it again in a new location! LuLu's is a state of mind, really. It's a great escape, a great family spot. We're all about good food, good folks, good music, and good times. A place to confirm that 'LIFE is good'....." 

Click Here: Purchase Tickets Today

About 92 Zew - 92.1 FM

92ZEW is The Official Radio Station for world-famous Hangout Music Festival in Gulf Shores. The annual festival is held on Gulf Shores beaches. As festival partner, 92ZEW sets up studios on the beaches and broadcasts live all weekend with artist interviews and backstage performances, along with the latest traffic/weather updates and more.

WZEW, is a 25,000 watt, class C commercial radio station licensed in the cities of Fairhope and Mobile and covering Mobile and Baldwin Counties and has been locally programmed Adult Album Alternative format for more than 30 years. Music we play reflects life on Alabama Gulf Coast. Some of the artists you hear on ZEW include Bob Marley, The Black Keys, Tom Petty, Elvis Costello, R.E.M., U2, John Hiatt, Depeche Mode, Pearl Jam, Jack Johnson, Death Cab for Cutie, Sam Smith, Imagine Dragons, North Mississippi Allstars, Trombone Shorty, Galactic and more.The station was launched as an AOR format in 1983 with Catt Sirten as program director and evolved into Adult Album Alternative (adult rock) format in 1984. Over the years the station has grown from 8,000 watts to 25,000 watts, connecting all of lower Alabama through music.

92ZEW is the official radio station for the Alabama Crimson Tide in lower Alabama. When you want to hear Eli Gold call the game, turn on 92.1 FM. Hey Coach with Tom Roberts and Coach Nick Saban airs on a weekly basis as well.

It is also the flagship station for award-winning Hangout Festival in Gulf Shores and Bonnaroo in Tennessee. covering the whole music weekend’s festivities backstage with interviews and artist performances. Every year a few days before the start of Hangout Festival, the station ‘switches formats’ through Monday or Tuesday and becomes Hangout Radio with traffic, weather, festival music and updates, etc.

92ZEW is not a publicly funded station. This unique, made for Mobile station exists solely upon the financial support of its advertisers and owners and listeners that support the sponsors. The station receives no grants. 92ZEW is the only locally-owned music FM radio station in Mobile, which is why we can cater specifically to the Coastal Alabama market.  When you visit an advertiser, be sure to tell them you appreciate their support of 92ZEW.  their support of locally owned and operated radio station 92ZEW is why you came. When an advertiser/sponsor spends money with 92ZEW and its ‘sister station’, WNSP Sports Radio 105.5, you can be assured that the majority of moneys spent stay right here in lower Alabama (minus the taxes and radio equipment not sold in the area).

Click Here: Purchase Tickets Today

Looking Back on Catskill Chill Music Festival: Night 1 September 22, 2015 09:23

 Photo by Andrew Scott Blackstein - Blackstein Photography

One of the year's most anticipated music festivals, Catskill Chill, occurred this past weekend for one last go-round at Camp Minglewood in Hancock, NY.  Due to circumstances out of their control. the sixth-annual festival served as "A Farewell to Minglewood," as they will be forced to find a new home in 2016.  The festival will continue next year, and several amazing prospective locations have already been placed in the mix.  The year's lineup featured the likes of moe., Lotus, Zappa Plays Zappa, Lettuce, Electron, The Motet, Dopapod, Kung Fu, Twiddle, Turkuaz, The Werks, Particle, George Porter Jr. & Runnin' Pardners, and many many more.  Below you will find a collection of our favorite moments from the weekend, with photos and setlists courtesy of our friends at Brotherly Love Productions.  

Stay tuned for recaps of Night 2 and Night 3 on Wednesday and Thursday!

Listen to Widespread Panic's New Album "Street Dogs" September 21, 2015 09:20

Press Release via WidespreadPanic.com

Seminal band Widespread Panic has announced the September 25th release of Street Dogs, their long-awaited twelfth studio album on Vanguard Records. Panic recorded Street Dogs as a band, live in the studio, for the first time. The result is the most fun the veteran sextet has had making an album, which is apparent upon first listen. Widespread Panic's large and loyal legions of fans have waited five years, since the release of 2010's critically acclaimed Dirty Side Down, for a new offering from the group, and the 10 tracks on Street Dogs are sure to reward their patience, and likely turn on a few more.

For almost 30 years, Widespread Panic has been known for their masterful improvisational style, but their core has always been built around songwriting. Incorporating a vast range of styles, Panic's songs run the gamut from compelling narratives to poignant ballads to southern blues to progressive jazz and rock. Street Dogs is a testament to how a veteran band can remain vibrant, relevant and continue to progress. The folk/jazz infused "Angels Don't Sing The Blues", the flowing "Poorhouse of Positive Thinking", the boogie blues of "Street Dogs for Breakfast" and the epic New Orleans inspired "Cease Fire", with it's Radiohead-like interlude, have a swing and a swagger the runs through much of the album. Panic's rock and blues roots shine brightly on renditions Alan Price's "Sell Sell", Murray McLauchlan's "Honky Red" and Willie Dixon's "Taildragger", made famous by Howlin' Wolf.

Street Dogs was recorded at Echo Mountain Studios in Asheville, NC with long time friend and producer John Keane at the helm. Drummer Duane Trucks (Hard Working Americans), who has been performing with the band on the road since late-2014, sat in for the Street Dogs recordings. 

Widespread Panic's music and live shows have become a rite of passage for multiple generations who continue to pack venues and follow the band throughout the U.S. Street Dogs is a clear indication that this group will continue to push the creative envelope and is nowhere near slowing down.

Click Here for the Exclusive Stream of Street Dogs

Photo by Live & Listen - Orange Beach, AL - 05.22.15

Exclusive Song Premiere: "Backdoor Bay" by Piano. September 21, 2015 08:16

Official Website: Piano.

Facebook: Piano.

Instagram: Piano.

Twitter: Piano.