Grateful Dead's 'Meet-Up at the Movies' in Select Theaters Tonight August 01, 2018 00:12
Meet up with friends and fellow Dead Heads in cinemas nationwide for the 8th Annual Grateful Dead Meet-Up at the Movies on Wednesday, August 1st. This special one-night event features the complete concert recorded at John F. Kennedy Stadium in Philadelphia on July 7, 1989
The Philadelphia concert offers a snapshot of the Dead’s 1989 tour, where the band played to some of its biggest audiences ever. The band helped raze the aging stadium, thundering through “Hell In A Bucket,” “Little Red Rooster” and Bob Dylan’s “Stuck Inside Of Mobile With The Memphis Blues Again.”
Many sitting at north end of the open-air stadium recall the concrete bleachers trembling during Mickey Hart and Bill Kreutzmann’s drum duet in the second set. The show closed with another Dylan cover, “Knockin’ On Heaven’s Door,” the last song ever performed at JFK.
Don’t miss your chance to be a part of this Grateful gathering in movie theatres. Get your front row seats now!
Watch the official preview here:
Dead & Company Confirms 2018 Summer Tour Dates January 18, 2018 09:25
6/1/18 – Camden, NJ @ BB&T Pavilion++
6/2/18 – Camden, NJ @ BB&T Pavilion++
6/4/18 – Cincinnati, OH @ Riverbend Music Center
6/6/18 – Noblesville, IN @ Ruoff Home Mortgage Music Center++
6/8/18 – Atlanta, GA @ Cellairis Amphitheatre at Lakewood++
6/9/18 – Raleigh, NC @ Coast Credit Union Music Park at Walnut Creek
6/11/18 – Saratoga Springs, NY @ Saratoga Performing Arts Center
6/13/18 – Hartford, CT @ XFINITY Theatre
6/15/18 – New York, NY @ Citi Field**
6/16/18 – New York, NY @ Citi Field**
6/19/18 – Darien Center, NY @ Darien Lake Performing Arts Center
6/20/18 – Cuyahoga Falls, OH @ Blossom Music Center
6/22/18 – East Troy, WI @ Alpine Valley Music Theatre
6/23/18 – East Troy, WI @ Alpine Valley Music Theatre
6/29/18 – Quincy, WA @ Gorge Amphitheatre
6/30/18 – Eugene, OR @ Autzen Stadium
7/2/18 – Mountain View, CA @ Shoreline Amphitheatre++
7/3/18 – Mountain View, CA @ Shoreline Amphitheatre++
7/6/18 – Chula Vista, CA @ Mattress Firm Amphitheatre++
7/7/18 – Los Angeles, CA @ Dodger Stadium
7/11/18 – Albuquerque, NM @ Isleta Amphitheater++
7/13/18 – Boulder, CO @ Folsom Field**^
7/14/18 – Boulder, CO @ Folsom Field**^
**Tickets are not available through Ticketmaster for these concerts
++Tickets go on sale Saturday, January 27 at 10AM local time
^Verified Fan Presale not available for Boulder, CO performances
Dead & Company Announces Rescheduled NOLA + Florida Dates December 08, 2017 10:31
Well, that didn't take long. Just three days ago, Dead & Company lead guitarist John Mayer was rushed to the hospital for an emergency appendectomy, forcing the band to cancel the last three shows of its fall tour. This was tough news for those expecting to see the band that night in New Orleans, as well as this weekend in Ft. Lauderdale and Orlando. If there's one thing that's certain, this band will always do what's right for its fan, and the latest announcement this morning only proves that notion even further. See below for the band's official statement regarding rescheduled dates for New Orleans, Ft. Lauderdale, and Orlando. Forever grateful!
"“The Dead & Company concerts that were postponed due to John Mayer’s emergency appendectomy have been rescheduled for 2/24 in New Orleans, 2/26 in Ft. Lauderdale, and 2/27 in Orlando. Tickets for the original shows will be honored at these newly announced 2018 dates. Should ticketholders choose to seek a refund, they will be available at point of purchase.”
Head over to the band's official website for further details!
Phil Lesh & The Terrapin Family Band Add Fall Tour Dates October 04, 2017 11:11
Seeing Grateful Dead bassist Phil Lesh perform outside of California is a fairly rare opportunity these days, which makes yesterday's announcement that much more exciting. Lesh & The Terrapin Family Band have announced a 8-show fall tour, which kicks off on October 25th in Washington, DC, and concludes at Nashville's Exit/In on November 18th. These shows come on the heels of two headlining sets at LOCKN' Festival, including a full performance of The Dead's Terrapin Station. Tickets to all eight shows go on sale this Friday, October 6th. Stay tuned for further updates on this run of shows!
Dead & Company Announces 2017 Fall Tour Dates September 07, 2017 11:45
Feel Good Fridays: The Main Squeeze's "Eyes Of The World" August 11, 2017 13:31
Coming off their 2016 Red Rocks debut and a summer filled with festival plays (KAABOO, Summer Camp, and High Sierra) the Squeeze now prepare to release their most potent work to date, a brand new hard-hitting sound that transitions them from the indie scene to the majors. Many have likely heard the band's numerous singles, such as "Message To The Lonely," "Dr. Funk," and "Sweat," on SiriusXM JamOn, as well as other radio stations across the country.
Dead & Company Reveal Plans For 'Playing In The Sand' In Mexico July 25, 2017 14:08
Clear your calendar, Dead & Company is heading to Mexico! February 15-18, 2018 the Dead-themed supergroup will be Playing In The Sand. This event will be an all-inclusive Caribbean concert vacation in beautiful Riviera Maya. Want in early? Sign up for access to a special presale before packages are available to the public: playinginthesand.co/dc. Presale will begin August 1st, and packages will be available to the public on August 3rd. Stay tuned for further details on what is sure to be one of the most exciting events of the new year.
The Stolen Faces Will Play Montgomery's Capri Theatre July 21, 2017 09:59
Photo by Thomas Diasio
Live & Listen and Vintage Year are pleased to reveal the initial plans for on a brand new series of concerts coming to Montgomery's Capri Theatre. 'The Vintage Concert Series' will feature a variety of top tier performances at one of the city's favorite historic venues. Renowned Grateful Dead tribute act The Stolen Faces will kick things off on Thursday, September 21st at 7:30 PM. A very limited amount of tickets will be available to this intimate performance, so we encourage you to purchase yours in advance. Tickets to this show will go on sale on Friday, July 28th and can be purchased by clicking here.
The Grateful Dead continue to have one of the most rabid and loyal followings of any band in history, and deservedly so: They wrote great songs, and they were excellent musicians and terrific improvisers who never played a tune the same way twice.
Grateful Dead cover band The Stolen Faces deftly capture the spirit of the Dead, covering a wide variety of songs from the band’s expansive catalog and delivering them with the sort of energy and spontaneity that might have you thinking you’re standing in the Fillmore West in 1971. Led by bassist Christian Grizzard, the group features guitarist Jack Silverman, drummer Matt Martin, and a rotating cast of some of Nashville’s top session and touring musicians.
The members of The Stolen Faces all share a love for the Dead, and for the freeform jamming and good vibes that music entails. The group puts a high premium on nailing the vocal harmonies, and has the instrumental firepower to take the extended jams into some seriously trippy sonic territory. In a short time, touring through Tennessee, Kentucky, Georgia, Alabama, Mississippi and Arkansas, they’ve begun to establish a reputation as one of the Southeast’s most solid and rockin’ Dead bands!
Artwork by Cy Simonton
Watch several clips of The Stolen Faces performing here:
Watch Phil Lesh & The Terrapin Family Band on 'Jam In The Van' July 06, 2017 21:16
Last week, Jam in the Van stopped by Phil Lesh’s Terrapin Crossroads in San Rafael, CA, to record a session with Lesh and The Terrapin Family Band. Lesh, the founding bassist of the Grateful Dead, was joined by longtime collaborator Jason Crosby (keys), as well as his son Grahame Lesh (guitar), Ross James (guitar), and drummer Alex Koford. The five-piece performed a total of three songs: “Galilee,” “The Wheel,” and “Uncle John’s Band.” Full video footage of each song can be found below.
Lesh and The Terrapin Family Band have had a busy year thus far, frequently playing Terrapin Crossroads, as well as venues such as Brooklyn Bowl and even Monterey Pop Festival. The band will end the summer by teaming up with Bob Weir to recreate the Dead’s Terrapin Station at this year’s LOCKN' Festival.
Watch "Galilee" here:
Watch "The Wheel" here:
Watch "Uncle John's Band" here:
Celebrating 30 Years Of The Grateful Dead's 'In The Dark' July 06, 2017 10:07
Grateful Dead 'Meet Up' Announced For Jerry Garcia's 75th Birthday June 29, 2017 18:35
The 7th annual “Gratfeful Dead Meet-Up at the Movies” will feature a 1989 Grateful Dead concert at Washington D.C.’s RFK Stadium at theaters nationwide on Tuesday, August 1st. The one-night-only screening, presented by Fathom Events and Rhino Entertainment, commemorates what would have been Jerry Garcia’s 75th birthday. Highlights of the July 12, 1989 RFK show include the set-one opener “Touch Of Grey,” two songs with Bruce Hornsby sitting in (“Sugaree,” and “Man Smart [Woman Smarter]”), and one of the only filmed versions of “Black Muddy River.” The “Meet-Up” follows a theatrical showing of “The Grateful Dead Movie” earlier this year. Fans can find participating cinemas on the Fathom Events website.
Watch a 30 second trailer for the movie here:
Dark Star Orchestra Announces Fall Tour Dates June 28, 2017 13:01
Photo by Craig Baird: Home Team Photography
Grateful Dead tribute act Dark Star Orchestra will wrap up its 20th anniversary celebration with a lengthy fall tour which kicks off on September 21st in San Antonio. This tour will see the band through Texas, Kansas, Colorado, Nebraska, Ohio, Michigan, Illinois, and Wisconsin. A full list of tour dates can be found below. Ticketing and details on VIP options can be found on the band's official website.
Dark Star Orchestra Tour Dates
September 21 San Antonio, TX – The Aztec Theatre
September 22 Austin, TX – Stubb’s Austin
September 23 Dallas, TX – House of Blues Dallas
September 26 Salina, KS – Stiefel Theatre for the Performing Arts
September 28 Boulder, CO – Boulder Theater
September 29 Boulder, CO – Boulder Theater
September 30 Boulder, CO – Boulder Theater
October 2 Omaha, NE – Slowdown
October 5 Cleveland, OH – House of Blues Cleveland
October 6 Cincinnati, OH – Taft Theatre
October 7 Columbus, OH – Express LIVE
October 10 Grand Rapids, MI – The Intersection
October 12 Detroit, MI – The Majestic
October 13 Chicago, IL – The Vic Theatre
October 14 Milwaukee, WI – Pabst / Riverside / Turner Hal
Watch Bob Weir Perform "Loose Lucy" At Relix Studios June 28, 2017 11:56
Watch Bob Weir perform "Loose Lucy" at Relix Studios here:
Bob Weir Officiates Backstage Wedding At Citi Field June 26, 2017 23:02
Bob Weir was a busy man this weekend, but that didn't stop him from officiating the wedding of a longtime friend backstage at Citi Field on Saturday night. Real estate investor William “Billy” Procida, who jumped on stage and performed with Weir seventeen years ago, confirmed that the two became great friends following that show. The ceremony, which was also attended by Dead & Company pianist Jeff Chimenti, lasted approximately 15 minutes, with Weir and Chimenti hanging around after to chat and take photos with the 50-60 guests in attendance.
Immediately following, the family and around 2,000 of their closest friends celebrated and occupied an entire section at Citi Field for Dead & Company's Saturday night show. “Seventeen years ago I jumped on stage and did an encore with [Weir] and we became great friends,” Procida told Page Six on Monday, adding he’s been in with the band ever since. Procida also noted that the ceremony was “beautiful and funny,” explaining that “at the end, [we] forgot to sign the marriage license. He was getting on a golf cart to go on stage and I had to chase him!” (via Page Six)
Watch footage of the wedding ceremony via Page Six here:
Celebrating 48 Years Of The Grateful Dead's 'Aoxomoxoa' June 20, 2017 10:24
The Grateful Dead began their career as the Warlocks, a group formed in early 1965 from the remnants of a Palo Alto, California jug band called Mother McCree's Uptown Jug Champions. The band's first show was at Magoo's Pizza located at 639 Santa Cruz Avenue in suburban Menlo Park, California, on May 5, 1965. Coincidentally, Velvet Underground was also performing under that name on the East Coast. After literally opening a dictionary and falling on 'Grateful Dead', the band would perform under its permanent name for the first time in San Jose, CA on December 4th, 1965 at one of Ken Kesey's 'Acid Tests'.
After signing with Warner Brothers Records, the band hit the studio hard over the next few years; releasing their debut self-titled album in 1967 and Anthem Of The in 1968. Just two months before the inaugural Woodstock in 1969, the Dead released its third studio album Aoxomoxoa. One of the first rock albums to be recorded using 16-track technology, fans and critics alike consider this era to be the band's experimental apex. This was the second studio album to feature second drummer Mickey Hart, who joined the band in 1967. The title is a meaningless palindrome created by cover artist Rick Griffin and lyricist Robert Hunter and is usually pronounced "ox-oh-mox-oh-ah."
When looking at Grateful Dead history, quite a few are connected with Aoxomoxoa. It is the first album the band recorded entirely in or near their original hometown of San Francisco. It is the only studio release to include pianist Tom Constanten as an official member. It was also the first to have lyricist Robert Hunter as a full-time contributor to the band, which cemented the Jerry Garcia/Robert Hunter songwriting partnership that endured for the rest of the band's existence. It was also the first time the band would emphasize acoustic songs (such as "Mountains of the Moon" and "Dupree's Diamond Blues"), which would become the focus of the next two studio albums.
Some of the songs on Aoxomoxoa were played live briefly and then dropped. Only "China Cat Sunflower" became a set staple through the band's career, though "St. Stephen" was played until 1971, revived in 1976 and 1977 and played a handful of times after that. Likewise, "Cosmic Charlie" was played a few times again in 1976.
1. St Stephen
2. Dupree's Diamond Blues
4. Doin' That Rag
5. Mountains on the Moon
6. China Cat Sunflower
7. What's Become of the Baby
8. Cosmic Charlie
Listen to Aoxomoxoa in its entirety here:
Watch The Trailer For Grateful Dead Documentary 'Long Strange Trip' May 16, 2017 14:48
As we inch closer towards the official release of the long awaited Grateful Dead documentary, Long Strange Trip, anticipating and excitement amongst the Deadhead community continues to grow. We now have our first taste of the 241-minute film, as JamBase premiered its official trailer via Yahoo! Movies earlier today. The film, which will begin showings in select theaters on May 25th, is directed by Amir Bar-Lev and produced by Martin Scorsese. The film includes many never-before-seen interviews, footage and photos combined with a career-spanning soundtrack focusing of the Grateful Dead’s live performances. Long Strange Trip will be available for worldwide streaming on June 2nd via Amazon Prime.
Watch the official trailer for 'Long Strange Trip' here:
Grateful Dead's 'Meet-Up At The Movies' Returns To Theaters Tonight April 19, 2017 22:45
Tonight only, movie theaters across the country will host screenings of The Grateful Dead Movie in honor of the film's 40th anniversary. A short feature of the band's performance at Barton Hall (Cornell University) on May 8th, 1977 will also be shown prior to the film. The Grateful Dead Movie, released in 1977 and co-directed by Jerry Garcia and Leon Gast, is a film that captures the Dead during an five-night run at Winterland in San Francisco in October of 1974. The film features Dead classics such as “Dark Star,” “U.S. Blues,” “One More Saturday Night,” “Casey Jones,” “Playing In The Band” and “Sugar Magnolia." Click here to find your theater and purchase tickets in advance.
These concerts marked the beginning of a hiatus, with the October 20, 1974 show billed as "The Last One". The band would return to touring in 1976. The film features the "Wall of Sound" concert sound system that the Dead used for all of 1974. The movie also portrays the burgeoning Deadhead scene. Two albums have been released in conjunction with the film and the concert run: Steal Your Face and The Grateful Dead Movie Soundtrack.
Grateful Dead Meet-Up at the Movies is an annual event that began in 2011. At the Meet-Up, which occurs at multiple locations in the United States, concert videos and films of the rock band the Grateful Dead are shown in movie theaters. Each yearly screening occurs only one time. Fathom Events organizes and manages the presentations. The event provides a venue and opportunity for the band's fans, known as deadheads, to gather in celebration and camaraderie.
Check out the official trailer for the 40th anniversary screening here:
Dark Star Orchestra Announces Summer Tour Dates March 15, 2017 15:53
Renowned Grateful Dead tribute act Dark Star Orchestra has announced an extensive summer tour, which kicks off on June 24th in Aurora, Illinois and concludes with a two-night run at Pisgah Brewing Company in Black Mountain, North Carolina on August 18th-19th. Festival appearances include Highberry Music Festival in Arkansas and The Peach Music Festival in Scranton, PA. Tickets for most shows will go on sale this Friday, March 17th via DarkStarOrchestra.net. VIP packages are available for most shows via the band’s website. See below for a complete list of dates, and stay tuned, as the band plans to add more dates moving forward!
Dark Star Orchestra performs shows from among the nearly 2,500 performances of the Grateful Dead during their 30-year tenure as fathers of improvisational rock. On most, though not all of their performances, Dark Star Orchestra presents the complete original set list, song by song, and in order, while adapting their phrasing, voice arrangements and specific musical equipment for the various eras of the Grateful Dead shows in which they perform.
Members of the Grateful Dead themselves, including rhythm guitarist/singer Bob Weir, bassist Phil Lesh, drummer Bill Kreutzmann, vocalist Donna Jean Godchaux, and keyboardists Vince Welnick and Tom Constanten, have all appeared on stage and performed with Dark Star Orchestra. In November 2011, the group played its 2,000th show in Ithaca, NY.
Dark Star Orchestra: 2017 Summer Tour Dates
June 24 Aurora, IL—RiverEdge Park
June 25 Kalamazoo, MI—Bell’s Cafe
June 28 Indianapolis, IN—Egyptian Room at Old National Centre
June 30 Kansas City, MO—CrossroadsKC
July 1 Eureka Springs, AR—Highberry Music Festival
July 28 Hampton Beach, NH—Hampton Beach Casino
July 29 Hampton Beach, NH—Hampton Beach Casino
July 30 Hyannis, MA—Cape Cod Melody Tent
August 1 Utica, NY—Saranac Brewery
August 2 Buffalo, NY—Canalside Buffalo
August 4 Rochester, NY—Frontier Field
August 5 Jay, VT—Jay Peak Resort
August 6 Portland, ME—Maine State Pier
August 9 Washington, DC—The Hamilton
August 10 Pittsburgh, PA—Stage AE
August 11 Scranton, PA—Peach Music Festival
August 14 Dewey Beach, DE—Bottle & Cork
August 15 Dewey Beach, DE—Bottle & Cork
August 17 Glen Allen, VA—Innsbrook After Hours
August 18 Black Mountain, NC—Pisgah Brewing Company
August 19 Black Mountain, NC—Pisgah Brewing Company
Dead & Company's First 2017 Tour Date Has Surfaced December 01, 2016 09:13
Bob Weir Releases First Single "Only A River" From New Solo Album August 18, 2016 11:34
Blue Mountain Track List
1. "Only A River"
2. "Cottonwood Lullaby"
4. "Lay My Lily Down"
5. "Gallop On The Run"
6. "Whatever Happened To Rose"
7. "What The Ghost Towns Know"
8. "Darkest Hour"
9. "Ki-Yi Bossie"
10. "Storm Country"
11. "Blue Mountain"
12. "One More River To Cross"
Bob Weir & Rob Gronkowski Join Paul McCartney at Fenway Park July 18, 2016 09:14
One Year Ago: The Grateful Dead's Final Stand at Soldier Field July 05, 2016 18:09
Words by Jordan Kirkland: Live & Listen
When I awoke and drove in to work on Friday, January 16th, I was already excited and knew that I was in for a long day. Several of us were heading to the Charleston Pour House for four rotating sets of Phish and Widespread Panic, courtesy of tribute bands Runaway Gin and Machine Funk. Sometime around noon, my phone started to light up with calls and text messages asking if I had heard the news. The rumors were officially true: The Grateful Dead were playing a three-night run at Soldier Field over the weekend of July 4th. To make things even sweeter, Trey Anastasio, Bruce Hornsby, and Jeff Chimenti were all set to round out the lineup. Any chance at the slightest bit of productivity that afternoon was officially shot, and a hotel reservation in Chicago was made immediately.
In order to honor their creative tradition, the initial ticket offer was made via mail order, in order to ensure that the band's total ticket allotment would be available only to those willing to make the extra effort. Elaborate, Dead-themed artwork was encouraged on each envelope. Over 500,000 ticket requests were received, leaving just a ten percent chance of "winning the lottery." The overwhelming response led promoters to adjust the seating arrangement to accommodate more guests. Peter Shapiro, the event's organizer and head promoter, gave his word that the level of production would provide all mail order ticket holders with an amazing experience.
On April 10th, more rumors were confirmed when the band announced that their final run would now consist of two additional shows at Levi's Stadium in Santa Clara, CA on June 27th and 28th. It only seemed right that the band make a return to the Bay Area, where it all officially started 50 years prior. Much debate surrounded the band's selection of Anastasio on lead guitar, as past Dead lineups have included many other amazing guitarists such as Warren Haynes, Steve Kimock, Jimmy Herring, and John Kadlecick in that role.
Tremendous progression was made over the course of the initial Santa Clara shows, with countless highlights that easily outweighed a handful of rusty moments. As expected, momentum was established, and it was time for the final three shows in Chicago. After a brief tease from Lesh and Anastasio, all seven members took the stage and were met with an eruption from 70,000+ at Soldier Field. "Box of Rain," the final song played at Jerry Garcia's last show (June 9th, 1995 - Soldier Field) allowed Bobby, Phil, Mickey, and Billy to pick up right where they left off. Next came "Jack Straw," and Bobby could barely be heard when it came time for the line "Leaving Texas, fourth day of July!" This was just the first of many moments that you could truly feel 70,000+ singing in unison.
"Bertha" made for three consecutive classics from the early 70's, just before a rocking take on "Passenger," an original which was debuted in 1978 at Memorial Coliseum in Tuscaloosa. Weir handled lead vocals, while Hornsby put a touch of Brent Mydland on harmony vocals. The late, great Mydland was also honored this weekend as Chimenti played the fallen organist’s Hammond B-3 all three nights. In an interview in Dupree's Diamond News, Lesh once said of "Passenger": "What's weird about that song is I sort of did it as a joke. It's a take on a Fleetwood Mac tune called "Station Man." I just sort of sped it up and put some different chord changes in there..." We were pleasantly surprised with "The Wheel," which has often come out of a "Drums" or "Space" since its debut in 1976. "Crazy Fingers," a tune named after jazz pianist Claude Hopkins, opened up a nice challenge for Anastasio, as the song features a vast array of chords and key changes, as its title suggests. The opening bass line of "The Music Never Stopped" sent the stadium into an all out frenzy. This song embodied the occasion; celebrating "a band beyond description" that would play all night long and never let the party slow down. Anastasio took his game to another level when it came time for the solo, and just like that, the weekend's first set came to a close in just 60 minutes, ending with two consecutive tunes from Blues for Allah, which later proved to be the theme of the night.
One of the biggest surprises of the weekend came as the second set opened with “Mason’s Children,” an outtake from Workingman’s Dead. Chimenti, who was absolutely brilliant all weekend, delivered one of his more memorable solos of the night as this rare gem winded down. As Anastasio hit the opening notes of “Scarlet Begonias,” I honestly thought I felt the stadium shake. We were well into the thick of the evening, and Scarlet seemed as perfect as any tune for Anastasio to sing. We all knew what was next, as Chimenti took to a heavy synth effect with the transition into “Fire on the Mountain.” Anastasio was absolutely nailing that signature Garcia sound before Hornsby jumped on the vocals just a little early. The rare mishap by Bruce was quickly forgotten as he delivered in beautiful fashion. What had become one of the best jams of the night was abruptly ended with “Drums > Space,” which required a moment of mental transition. Another rare gem came in “New Potato Caboose,” a tune named for an old Irish jig, which appeared on the 1968 release, Anthem of the Sun. Caboose made for a memorable series of exchanges between Hornsby and Anastasio.
Video via LazyLightning55a
The Grateful Dead – Setlist – 07.03.15
SET ONE: Box of Rain > Jack Straw, Bertha > Passenger, The Wheel > Crazy Fingers > The Music Never Stopped
SET TWO: Mason’s Children > Scarlet Begonias > Fire on the Mountain > Drums > Space > New Potato Caboose > Playing’ In the Band > Let It Grow > Help on the Way > Slipknot! > Franklin’s Tower
Another beautiful day was in store for July 4th, allowing those who were traveling much of the day Friday to get to Soldier Field in time to enjoy the best parking lot atmosphere I’ve ever been a part of. With three out of five Fare Thee Well shows in the books without one song repeated, the speculation and predictions were coming in from all directions. Those wishing for a “Shakedown” opener got just that, and night two was off and running. Weir took the lead vocals in stride, while Anastasio nailed the signature Garcia “multron” effects that we all know so well. “Liberty,” another Robert Hunter/Jerry Garcia original was a fitting choice to follow. “Liberty” first appeared as the title track of Hunter’s 1988 studio album, and was debuted by The Dead on February 21st, 1993 at Oakland Coliseum Arena. Anastasio was next on the mic for “Standing on the Moon,” another late 80’s Hunter/Garcia product. This was one of Garcia’s well-known ballads and undoubtedly a humbling moment for Anastasio. “Me & My Uncle” then picked up the pace and pumped some much needed energy into the stadium after things had slowed down a bit.
The energy in the stadium took a surge upon the opening notes of “Tennessee Jed,” one which Anastasio was given the nod on lead vocals, much to the crowd’s delight. The first repeat of the Fare Thee Well run turned out to be “Cumberland Blues,” one which was as common as any in the late 60’s through the mid 70’s. “Friend of the Devil” felt perfectly placed for this rootsy, bluegrass-friendly stretch of the first set. Weir took the lead next on Willie Dixon’s “Little Red Rooster,” one of very few covers over the final five shows. This made for quite the entertaining bluesy, slide guitar dual between Weir and Anastasio. Another early 70s sing-a-long was due before this set could end, and “Deal” provided just that. The crowd reaction when it came time for the line, “If I told you ‘bout all that went down, it would burn off both of your ears,” was one I have been waiting to hear for as long as I can remember. The sun had started to set, the lights were in full effect, and “Deal” most certainly left a fire burning at Soldier Field as we reached the set break.
A stellar version "Bird Song," a Garcia/Hunter tune born upon the death of Janis Joplin, kicked off the second set. Lesh handled lead vocals, while Hornsby seemed to truly drive the rhythm and keep the entire stadium's attention. "The Golden Road (To Unlimited Devotion)" turned into one hell of a party, as expected. Being the opening track on my first Dead album (Skeletons from the Closet), I'd been waiting for this one for an extremely long time, and hearing Anastasio and Hornsby trade off on vocals was an absolute treat.
There was no question as to how much fun the band was having at this point, each of them grinning from ear to ear. "Lost Sailor," a song that lost its place for many years in the Dead rotation, couldn't have been executed better, and the transition into "Saint of Circumstance" was beautiful. I have to say that this one truly caught me off guard. While I was very familiar with the In the Dark album at a young age, "Saint of Circumstance" somehow fell out of my personal rotation, and I had certainly never heard it performed live. I couldn't stop singing "Sure don't know what I'm goin' for, but I'm gonna go for it for sure" until well after I returned to Alabama on Monday. Hornsby was up next for vocals on "West L.A. Fadeaway," while Chimenti added a heavy dose of funk on the Hammond. The set jumped back to the late 80's with "Foolish Heart," just before the nightly dose of "Drums" > "Space."
While Weir couldn't seem to get everyone on the same page, he led the charge into "Stella Blue" and displayed some of the most powerful emotion of the weekend. There was no doubt this one was personal, and he was determined to make Jerry proud. While we all knew it was coming, the build up throughout the night that led into "One More Saturday Night" was a sight to see. Scanning across Soldier Field and seeing that many people dance so wildly to such a classic party tune created a memory that will never fade. As the band left the stage, it was a safe assumption that "U.S. Blues" would bring this party to an end. As the patriotic anthem reached its peak, a massive display of fireworks spread across the sky, leaving the entire stadium mesmerized.
The Grateful Dead – Setlist – 07.04.15
SET ONE: Shakedown Street, Liberty, Standing on the Moon, Me and My Uncle, Tennessee Jed, Cumberland Blues, Little Red Rooster, Friend of the Devil, Deal
SET TWO: Bird Song > The Golden Road (To Unlimited Devotion) > Lost Sailor > Saint of Circumstance > West L.A. Fadeaway, Foolish Heart > Drums > Space > Stella Blue > One More Saturday Night
The buzz was in full force Sunday afternoon, with someone "needing a miracle" to get into the show everywhere you looked, and no one in sight selling extras. As of about 3:00 PM, the cheapest ticket for the final Sunday show was listed at $530. With only one repeat over the previous four nights, there were a handful of classics that had to be played. "China Cat Sunflower" > "I Know You Rider" knocked two of those off the list immediately. While "Estimated Prophet" didn't spur quite the level of improvisation as it could have, it most definitely had the natural, empowering effect that I have always associated with it. "Built to Last," the title track from the Dead's final studio album, came as a major surprise, as it only made a handful of live appearances in 1989 and 1990.
The party turned up a notch with an aggressive, foot-stomping rendition of "Samson and Delilah." You could hear the echo of the entire stadium every time the chorus came around. "Mountains of the Moon" took us back to the earliest days of The Dead. Each night, the first set would end just as the sun had fully set, and the song selection was so strong for each these moments, as the lights would take full force. Sunday night it was "Throwing Stones," one of my favorites off of In the Dark, and a testament to the early 80's vibe of The Dead.
The final set of the Fare Thee Well run was now upon us, and with it came "Truckin'," just the second of two total repeats played over the course of five total shows. It wouldn't have been right had the band not sung, "What a long, strange trip it's been" at their final performance. Another swift, well-executed transition led into "Cassidy," which of course includes the words "fare thee well," adding a little extra nostalgia. Anastasio's attention to detail was proven yet again, as nailed the signature sound of "Althea" on every note. It was finally time to buckle up for "Terrapin Station," easily one of the most anticipated moments of the entire weekend. Lesh led the way on vocals, and while that tends to be a rocky ride, it was a powerful, resounding moment.
Video via LazyLightning55a
Billy and Mickey's final take on "Drums" > "Space" reached its peak when Mickey brought out a train horn and nearly deafened the entire stadium. "Unbroken Chain" came next and provided one last moment for Lesh to shine center stage. In a touching tribute to Garcia, the band kept the slow pace for "Days Between," which has served as an anthem for honoring Jerry's life, and is often referred to the days between his birthday (August 1st) and his day of passing (August 9th).
With just enough time to close out the second set, the all-too-familiar beat of "Not Fade Away" began. The positive nature and uplifting message of this song couldn't have been a more perfect way to close out the final set. "You know our love will not fade away," paired with the series of five claps, carried on for nearly three minutes amongst the stadium after the band had left the stage. Of all the truly special moments throughout the weekend, it is difficult to imagine being a part of such a powerful moment ever again. After Lesh's final speech, "Touch of Grey" brought that magic and energy back into the air. As they ended, the "Not Fade Away" chant/clap picked back up in full force, and the band returned one last time for "Attics of My Life," as a touching slideshow honored those like Jerry, Ron "Pig Pen" McKernon, Keith Godchaux, and Brent Mydland, who were unfortunately lost far too soon.
While this weekend garnered as much anticipation as any I can recall, I could not have possibly prepared myself for what was in store. The overall experience surrounding this music scene that we love so much goes so far beyond the music, and I can’t even imagine where the world of live music would be without the Grateful Dead. This is the band that took elements of country, folk, bluegrass, jazz, blues, reggae, and rock, and fused them into one. You look at the hype that has surrounded this event since January, the absurd ticket demand, and even the polarizing views on Trey sitting in Jerry’s seat, and it all speaks very clearly to the testament of this band’s impact on the world. I cannot do justice to the energy and vibe that was in the air in Chicago this weekend. Deadheads were everywhere, and I have never seen a bigger collection of open-minded, compassionate people. Anywhere you looked in Soldier Field, fans were thanking the security staff, vendors, and even the police for working so hard so that we could enjoy this experience. As we left the stadium Sunday night, thousands of fans continued to sing “you know our love will not fade away” as they walked through Grant Park. The impact of the Grateful Dead truly made this world a better place, and we should all be grateful for the music, love, and positive energy this band has created over the past fifty years.
The Grateful Dead - Setlist - 07.05.15
SET ONE: China Cat Sunflower > I Know You Rider, Estimated Prophet , Built To Last, Samson and Delilah, Mountains of the Moon > Throwing Stones
SET TWO: Truckin' > Cassidy, Althea, Terrapin Station > Drums > Space > Unbroken Chain > Days Between > Not Fade Away
Encore One: Touch of Grey
Encore Two: Attics of my Life
One Year Ago: The Dead Shines in Santa Clara, Rolls on to Chicago June 28, 2016 13:11
Fifty years after The Grateful Dead was born in Palo Alto, California, “The Core Four” (Phil Lesh, Bob Weir, Mickey Hart, and Bill Kreutzmann) returned to Santa Clara County to bid farewell to a sold out Levi’s Stadium on Saturday and Sunday night. Joining the core four members of The Dead for the 50th Anniversary “Fare Thee Well” run are Phish front man Trey Anastasio (lead guitar/vocals), Bruce Hornsby (piano/vocals), and Jeff Chimenti (organ/keys). The two Santa Clara shows were added shortly after the initial announcement of this coming weekend’s three-night run at Soldier Field Chicago (July 3rd – July 5th). For those unable to attend these final five shows, live hi-definition webcasts have been offered ($20-$30 per night), making it entirely too easy to watch the star-studded lineup from the comfort of your own couch. While the anticipation and reality of attending in Chicago sets in, I couldn’t resist tuning in for both nights in Santa Clara.
Due to conflicting plans, I was unable to tune in live for Saturday night’s show, but fortunately each show has been made available for 30 days once purchased. This meant a Sunday afternoon Dead show on the couch, only to be followed by a live Sunday evening Dead show…on the couch. While I couldn’t resist checking Saturday’s set list, sitting and watching it in its entirety was still the top priority. The celebration began with “Truckin’” and “Uncle John’s Band,” two of the band’s biggest hits. Phil Lesh then took over lead vocals as the band dug even deeper into the Dead archive with “Alligator.” The folksy sound of The Dead shined in “Cumberland Blues,” making way for “Born Cross Eyed.” Anastasio took on his first round of lead vocals with “Cream Puff War,” one which always seems to pump some adrenaline into the band and crowd alike. The set rounded out with “Viola Lee Blues,” originally a country/blues tune that was transformed into a psychedelic powerhouse in their earliest days. A spectacular rainbow stretched over the stadium, sparking the notion from many that Jerry was smiling down on Levi’s Stadium.
Watch "Truckin'" from Santa Clara here:
The old-school, early Dead theme continued immediately in set two with “Cryptical Envelopment,” the first of four sections of the “That’s It For The Other One” suite on Anthem Of The Sun (1968). The “Dark Star” that would follow will undoubtedly serve as one of the more special moments of the Fare Thee Well run. “Dark Star” was the first lyric that Robert Hunter wrote with the Dead and was first performed, without lyrics, by the Grateful Dead in September 1967. The first version with lyrics was in the December of that year. The song was a major focus for improvisation and was played regularly through the 1960's and up to 1973. “St. Stephen” made way for “The Eleven,” which led directly into “Turn On Your Love Light.” Kreutzmann and Hart took over on “Drums,” only to be followed by “What’s Become Of The Baby,” a tune off of Aoxomoxoa (1969) which wasn’t actually played live until being busted out by Furthur in 2010. The set’s early hints made “The Other One” no surprise, beautifully placed late into the night. Weir’s vocal delivery on “Morning Dew” was as powerful as expected and gave an emphatic ending to the second set. The band didn’t take long to return to the stage for “Casey Jones,” ending the night with the entire stadium singing along.
Night two kicked off in ferocious style, as “Feel Like A Stranger” set the tone and left no doubt that the guys had shaken any cobwebs loose. Weir roared through “New Minglewood Blues” and opened things up for an amazing delivery from Hornsby on “Brown Eyed Women.” The bluesier rendition of “Loose Lucy” came next, giving the band and crowd a chance to say “Thank you, for a real good time.” “Loser” and “Row Jimmy” slowed the pace a bit, just before Anastasio really seemed to find his groove on “Alabama Getaway,” one of his few lead vocal rolls thus far. “Black Peter” and “Hell In A Bucket” would round out set one of night two. Anastasio took “Hell In A Bucket” to another level, letting it rip, much to Lesh’s pleasure.
One of my favorites, “Mississippi Half-Step Uptown Toodleoo,” kicked off what developed into my favorite set of the weekend. So many Dead tunes send that fuzzy feeling through you as you sing along, and this one is up there with the best. There’s something about the line “Farewell to you old Southern skies, I’m on my way” that has always hit home for me. Next came “Wharf Rat,” the self told saga of a down and out dockside wino, another gem from Hunter and Garcia made famous in the early 70’s. They led beautifully into “Eyes of the World,” one which Lesh took lead vocals on, rather than Anastasio or Hornsby, both of which could have been a perfect fit.
It’s to be expected that there will be a few rusty moments over these final five shows, and that seemed to be the case with “He’s Gone.” Weir had some difficulty with the lyrics in multiple verses, which Anastasio and Hornsby attempted to help with. The chorus even seemed off rhythm, especially when it came time for “Nothin’ left to do but smile, smile, smile.” No one lost their composure, and the tune was still finished in respectful fashion. Round two with “Drums” seemed to go even longer, with Hart and Kreutzmann taking us all into another realm. I can relate with those who just don’t care for “Drums” every night, but they had me locked in and blown away with it on Sunday night. The stadium lit up as the opening notes of “I Need A Miracle” hit, and Weir stepped up, ready to redeem himself. This one has always given one of the most notable, resounding vocal performances from Weir, and I was immediately reminded why.
Things slowed down once more for “Death Don’t Have No Mercy,” first played by The Dead in 1966, and often credited to Rev. Gary Davis. Anastasio stepped up to the plate yet again on “Sugar Magnolia,” which sounded as on-point as any song throughout the weekend. The “Sunshine Daydream” medley seemed entirely too perfect for the second set closer, and those watching in Santa Clara, as well as around the world, had every reason to rejoice. “Brokedown Palace,” which includes the line of words “fare thee well”, for which this entire run of shows is named, brought the two-night run in Santa Clara to a close.
There was an expected progression seen from the entire band over the weekend, and Anastasio was no exception. Being an enthusiastic fan of both The Dead and Phish, it’s been interesting to watch the progression of Trey in this highly scrutinized role. He was apparently given 90 songs to master and has spent at least five hours each day doing so. He has shown the ultimate composure and poise, focusing on hitting every note just as Jerry would. Some might say that he is holding back, or that the guys need to cut him loose, but let’s be honest, he knows his role in this band. His selection for these shows has been a hot topic, and he is proving the doubters and naysayers wrong. Bobby, Phil, Mickey, and Billy knew that this was his role to play, and he’s validating their notions with every tune. Will there be moments where Trey is delegated to play rhythm and might have made more sense on lead vocals? Of course. “Eyes of the World” was a perfect example. No one should expect to see the same demeanor from Trey as they are accustomed to with Phish. This role is about paying homage to Jerry Garcia and The Grateful Dead, not being the front man of one of the greatest bands since Jerry paved the path. He is clearly ecstatic to be on stage, as that big smile we have seen suggests.
Dead & Company Will Play in Charlotte, Donate $100,000 to HRC & Equality NC June 03, 2016 11:47
With Dead & Company's highly anticipated summer tour scheduled to kick off next Friday, June 10th, in Charlotte, NC, thousands of fans have anxiously awaited to hear whether or not the band would join the likes of Pearl Jam and Bruce Springsteen in canceling their shows in North Carolina. Dead & Company has announced that rather than cancelling it's Charlotte show in protest of the infamous HB2 bill and depriving their fans, the band will instead be donating $100,000 to The Human Rights Campaign and Equality North Carolina. They also announced that they will host a "participation row" section of "local organizations fighting discrimination and national organizations dedicated to voter registration and protecting the planet.
See below for the band's official statement:
This March, when North Carolina lawmakers passed HB2 and Governor Pat McCrory signed it into law, we categorically objected to it. We had hoped that by now this abhorrent law would have been repealed. Sadly, it has not.
After much thought, consideration and conversation, we feel the most effective way to move forward is to perform as scheduled in Charlotte, North Carolina on June 10 and to donate $100,000.00 to organizations engaged in this battle for justice – the Human Rights Campaign and Equality North Carolina.
Additionally, we will assemble a "Participation Row" social action area, where we'll host local organizations fighting discrimination and national organizations dedicated to voter registration and protecting the planet. Every fan in attendance will have an opportunity to learn about the true ramifications of the HB2 law, and take meaningful action by registering to vote; to that end we are working on an online community registration site that will assist the HeadCount organization in promoting and simplifying voter registration.
Dead shows have always been a safe place for all of our audience to come together through music no matter how they appear or self-identify. History shows these values of openness and inclusiveness have served us - and the world around us - well.
We’ve never been a band that’s spoken many words when we’re on stage. But we hope that our actions, and the actions of our fans, will ring louder than ever before.
With Love and Respect,
Dead & Company
Watch Dead & Company perform "Scarlet Begonias" on Jimmy Kimmel Live here:
- Page 1 of 2