Win Tickets To See TAUK + Maradeen At Zydeco (3/6) February 27, 2017 21:02

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Photo by Jordan Kirkland: Live & Listen
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Live & Listen is pleased to partner with our friends at Zydeco in Birmingham for an evening with one of the jam scene's most dynamic acts, TAUK, on Monday, March 6th. TAUK's high energy, all-instrumental blend of funk, hip-hop, progressive rock, and jazz is second to none, and this is a Monday night you won't want to miss.  Providing direct support is Nashville's Maradeen, who is fresh off of an opening gig for Bon Jovi at Philips Arena and continues to turn heads across the southeast.  Share this post directly from our Facebook page for a chance to win a pair of tickets to Monday night's show.  Make sure your settings are set to 'public', so we can see it on our end. For all of the latest updates and official details on this show, head over to the official Facebook event page.
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Watch TAUK perform "Waver" at Terminal West in Atlanta on 04.16.16 here:
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Official Bio: TAUK
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On their third studio album Sir Nebula, TAUK tap into their singular chemistry to elevate and expand their all-instrumental blend of funk, hip-hop, progressive rock, and jazz. Revealing both their refined musicality and unbridled creativity, the Oyster Bay, New York-bred rock-fusion four-piece (guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist/organist Alric “A.C.” Carter, and drummer Isaac Teel) push into new sonic terrain and build entire worlds within each richly textured soundscape.
 
From the hazy atmospherics of “Time’s Up” and soaring riffs of “Program Select” to the urgent rhythms of “Shenanigans” and sprawling melodies of “Where You Are,” Sir Nebula finds TAUK introducing a cosmically inspired element to their music. “The album ended up taking on a more ambient kind of vibe than anything we’ve done before—there’s a spaciness in the songs that lets you get lost in the sound,” says Dolan. And while the album is endlessly hypnotic, TAUK also deliver the dynamic tension-and-release jams that have helped earn them a devoted following while drawing critical acclaim (the Washington Post, for one, praised TAUK for “creating a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities”).
 
Throughout Sir Nebula—the follow-up to their 2015 live double album HEADROOM—TAUK allow a more free-form, instinct-guided approach to steer their music into bold new directions. “With this record, we felt more comfortable in the studio and got to a new level where we were able to constantly feed off each other, so there was a lot of spur-of-the-moment improvisation that really helped shape the album,” says Jalbert. Adds Carter: “We made a point of trying to express ourselves freely and take risks even when that felt challenging and scary, instead of holding ourselves back and possibly taking something away from the songs.” At the same time, TAUK sharpened their songwriting to craft more intricately layered arrangements and powerfully intense grooves.
 
As with their past four releases, TAUK created Sir Nebula in collaboration with Grammy Award-winning producer/mixer/engineer Robert Carranza (The Mars Volta, Ozomatli, Jack Johnson, Taj Mahal). But in a departure from their previous work, the band made the album in one concentrated period rather than spacing the recording sessions out in between tours. Holing up at the Solar Powered Plastic Plant in Los Angeles, often pulling 12-hour workdays, TAUK ultimately found the revamped recording process hugely beneficial. “Everything just happened so naturally this time around,” says Jalbert. “I can’t think of one moment where it felt like anything was forced. We were all just completely focused and in the same mindset, which made it this incredibly fun and smooth experience.”
 
TAUK’s creative connection traces back to childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade and held practice in their school basement. After playing together in various projects over the years, the trio brought Teel into the fold in 2012, cementing the final lineup. “We gelled pretty quickly as friends and as musicians, and now there’s a connection onstage that’s unspoken,” notes Teel. “You just feel it from the energy within the band and from the response coming from the crowd—all these people in the same exact headspace.”
 
Since their formation, TAUK have shared stages with an impressive list of bands (including Widespread Panic, Umphrey’s McGee, Lettuce, and Tim Reynolds & TR3), in addition to appearing at festivals like Electric Forest, Bonnaroo, and The Allman Brothers’ Peach Music Festival. That rigorous touring schedule has gone a long way in strengthening their chemistry, according to Carter. “We’re doing 140 shows a year and we pretty much live with each other, so there’s a healthy respect and trust and love happening there,” he says. “We all have a common goal and an understanding that this is something we’re compelled to do, and that’s definitely brought us close together.” It’s also helped TAUK develop a reputation as a masterful live act: “TAUK is unstoppable,” raved Live for Live Music. “If you haven’t see them, dear God, go.”
 
Now on the road again (with upcoming dates including a two-night stint at the Brooklyn Bowl and spots on the Hangtown Music Festival, North Coast Music Festival, and Catskill Chill Music Festival), TAUK also have plans to widen their output by composing scores for film and television. In the meantime, the band is focused on instilling their live show with the same kinetic energy and boundless passion that powered the making of Sir Nebula. “Growing up together as musicians and collectively going on this journey—that’s what makes this experience really special,” says Jalbert of TAUK’s continued evolution. “It’s like everything we’ve learned over the years has been funneled into this band, and now it’s taking shape in a really exciting way. We all love what we’re doing, and the band just feels like home.”
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Official Bio: Maradeen
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Maradeen is an American rock band based out of Nashville, Tennessee. Founded by guitarist, Whit Murray, in the summer of 2014 with keyboardist, Kaitlyn Connor, and bassist, Sterling Miller, the band formed their initial roots as a high energy rock n roll quartet. With classical and jazz improvisation backgrounds they forged and evolved a unique and well-versed sound. In 2015 Tom Galloway moved to Nashville for songwriting and began collaborations with Murray. The band entered the analog studio "Welcome to 1979" in the spring of 2015 and recorded their first full-length LP entitled, "Mirage". The album features the initial hard-hitting rockers from the band's formative stage while revealing the new songwriting dynamic between Murray and Galloway.
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Although the band was new to the scene at this time, the origins of Maradeen run deep. Murray played lead guitar for Galloway's band, Mama's Love, between the years of 2009-12. During this time they toured nationwide, developed a devoted fanbase, and recorded with renowned producers Tom Tapley and John Keane. Galloway continued fronting Mama's Love while Murray extended his education at The Berklee College of Music. Mama's Love had shared the stage with the progressive rock band, Afro, several times in the past which featured Connor on keys. Connor met Miller through the MTSU music program where Miller majored in audio engineering and played with bands Harrison Anvil and The Bourbon Barrel Band. A long line of history, coincidence, and mutual passion brought together the group, and they continue to make strides as they climb the mountain of music.
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Watch Maradeen perform "Deal With The Devil" at the Georgia Theatre here:
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